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Modern American Drama: Playwriting in the 1980s: Voices, Documents, New Interpretations: Decades of Modern American Drama: Playwriting from the 1930s to 2009

Autor Sandra G. Shannon Brenda Murphy, Professor Julia Listengarten
en Limba Engleză Hardback – 21 aug 2019
TheDecades of Modern American Playwritingseries provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material.The major playwrights and their plays to receive in-depth coverage in this volume include:David Mamet:Edmond(1982),Glengarry Glen Ross(1984),Speed-the-Plow(1988) andOleanna(1992);David Henry Hwang:Family Devotions(1981),The Sound of a Voice(1983) andM. Butterfly(1988);Maria Irene Fornès:The Danube(1982),Mud(1983) andThe Conduct of Life(1985);August Wilson:Ma Rainey's Black Bottom(1984),Joe Turner's Come and Gone(1984) andFences(1987).
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Specificații

ISBN-13: 9781472572462
ISBN-10: 1472572467
Pagini: 256
Dimensiuni: 138 x 216 mm
Greutate: 1 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Decades of Modern American Drama: Playwriting from the 1930s to 2009

Locul publicării:London, United Kingdom

Caracteristici

Provides a full context for analyzing the most significant plays of the major playwrights within their careers, the theatre history of the period, and the socio-economic, political, and cultural history of the decade

Notă biografică

Sandra G. Shannonis Professor of African American Literature, specializing in Dramatic Literature and Criticism, at Howard University, Washington, USA. She is one of America's leading scholars on the life and works of Pulitzer Prize winning playwright August Wilson and is Founder of the August Wilson Society, based at Howard University. She is the author ofThe Dramatic Vision of August WilsonandAugust Wilson's Fences: A Reference Guide,and co-editor ofAugust Wilson and Black Aesthetics.

Cuprins

Biographical Note and Notes on ContributorsGeneral Preface: Brenda Murphy and Julia Listengarten1. Introduction to the 1980s by Sandra G. Shannon, Howard University, USA.2. American Theatre in the 1980s by Sandra G. Shannon, Howard University, USA.3. David Mamet:Edmond(1982),Glengarry Glen Ross(1984),Speed-the-Plow(1988),Oleanna(1992) by Nelson Pressley4. David Henry Hwang:FOB(1980),The Dance and the Railroad(1981),Family Devotions(1981),M. Butterfly(1988) by William C. Boles, Rollins College, USA.5. Maria Irene Fornès:The Danube(1982),Mud(1983),The Conduct of Life(1985) by Gwendolyn Alker, Tisch School of the Arts, USA.6. August Wilson:Ma Rainey's Black Bottom(1984),Fences(1987),Joe Turner's Come and Gone(1984) by Sandra G. Shannon, Howard University, USA.AfterwordDocumentsNotesBibliographyIndex