Modern Art in Egypt: Identity and Independence, 1850–1936
Autor Fatenn Mostafa Kanafanien Limba Engleză Hardback – 22 iul 2020
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Specificații
ISBN-13: 9781838601096
ISBN-10: 1838601090
Pagini: 328
Ilustrații: 134 colour illus.
Dimensiuni: 288 x 245 x 25 mm
Greutate: 1.5 kg
Editura: Bloomsbury Publishing
Colecția I.B.Tauris
Locul publicării:London, United Kingdom
ISBN-10: 1838601090
Pagini: 328
Ilustrații: 134 colour illus.
Dimensiuni: 288 x 245 x 25 mm
Greutate: 1.5 kg
Editura: Bloomsbury Publishing
Colecția I.B.Tauris
Locul publicării:London, United Kingdom
Caracteristici
supported by one of the largest and most comprehensive private collections of books, catalogues and archival materials on modern Egypt and modern Egyptian art
Notă biografică
Fatenn Mostafa is founder of ArtTalks | Egypt, a leading interdisciplinary, Cairo-based art space dedicated to the management of selected Egyptian artists' estates - in addition to providing exhibition, publication, education and archiving services. Founded in 2009, the gallery has rigidly selected a roster of emerging artists to work exclusively with and has established itself as an authority on high quality secondary market works by twentieth century masters.
Cuprins
INTRODUCTION PART ONE REACHING FOR MODERNITY: A MULTICULTURAL RENAISSANCE CHAPTER 1: al-Nahda: The Building Blocks of a By-Product1.1. Producing Knowledge 1.2. Cosmopolitanism and Mass Media CHAPTER 2: EGYPT AS EXHIBITION2.1. European Orientalism: The Art of the Other and the Foreign Complex2.2. Orientalizing a New Industry: Villa Medici, Cercle Artistique and Exposition du Caire CHAPTER 3: ART AND ISLAM PART TWO FUNUN JAMILA: PATRONS, A STATE AND A NEW SOCIAL PLAYER CHAPTER 4: The Patrons 4.1. The Egyptian School of Fine Arts in Cairo4.2. Société des amis de l'art, Salon du Caire and Atelier of Alexandria4.3. La Chimère and the Art Advocacy Group4.4. Cultural Salons and the Woman Question CHAPTER 5: The State5.1. Building an Infrastructure5.2. The Museum of Modern Art 5.3. Mohammed Mahmoud Khalil and his eponymous museum5.4. Conclusion CHAPTER 6: The Artist-The Emergence of a new social player 6.1. Egypt for Egyptians 6.2. Innovators vs. Conformists PART THREE AL-RUWWAD: THE FIRST-GENERATION INNOVATORS 7. Georges Sabbagh (1887-1951): The (E)migrant Son 8. Mohamed Naghi (1888-1956): Naghi d'Alexandrie 9. Mahmoud Mokhtar (1891-1934): The Hyphen between Ancient and Modern10. Ragheb Ayad (1892-1982): The Godfather of the Egyptian Gaze11. Mahmoud Saïd (1897-1964): In Search of a Happy Island12. Marguerite Nakhla (1908-1977): Life as it should be CONCLUSION Decoding 1930s Egypt: The Seeds of the Naksa TIMELINE ENDNOTESBIBLIOGRAPHYINDEX