The Modern Ink Series is a set of scholarly monographs on major ink painters of China's "Modern" era. Starting with the First Opium War in 1840 and ending with the start of the Cultural Revolution in 1966, the "Modern" era was characterized by profound social, cultural, and political upheaval as China transformed itself from a feudalistic monarchy to a modern nation-state. China's great thinkers and artists kept pace with its transformation, reinventing its art and culture as quickly and dramatically as the society changed itself. The resulting body of art brought the five-thousand-year-old culture into the modern age and today provides contemporary China with a direct link to its ancient cultural roots. Wu Changshi (1844-1927) rose to the forefront of the Jinshi, or "epigraphic," movement in calligraphy and painting at the close of the Qing dynasty. His inventive method of adapting the rugged strength of ancient engraved texts to his own brushwork reinvigorated Chinese art through a reconnection with its earliest roots. In bold xieyi or free-style flower-and-bird scenes and landscapes, he fully integrated the four disciplines of painting, calligraphy, poetry, and seal carving. The third volume of the Modern Ink series, Modern Ink: The Art of Wu Changshi includes an introductory essay on Wu Changshi's life and artistic background by Britta Erickson followed by a study of the painter's students, followers, and far-reaching legacy by Deng Feng. In-depth analyses of 29 works of art represent the collaborative efforts of noted scholars from both China and the United States. Three appendices provide a chronology of the artist's life, an examination of his seal carving, and bilingual glosses of his poems.