Modern Nature: The Journals of Derek Jarman
Autor Derek Jarmanen Limba Engleză Paperback – 3 mai 2018
A divine, meditative and inspiring diary of Derek Jarman's famous garden at Dungeness.'An essential - urgent - book for the 21st Century' Hans Ulrich ObristWITH AN INTRODUCTION BY OLIVIA LAINGIn 1986 Derek Jarman discovered he was HIV positive and decided to make a garden at his cottage on the barren coast of Dungeness.
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|---|---|---|
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| Vintage Publishing – 3 mai 2018 | 58.97 lei 24-35 zile | +21.79 lei 4-10 zile |
| University of Minnesota Press – 5 oct 2009 | 107.44 lei 3-5 săpt. |
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Specificații
ISBN-13: 9781784873875
ISBN-10: 178487387X
Pagini: 336
Dimensiuni: 126 x 198 x 27 mm
Greutate: 0.26 kg
Editura: Vintage Publishing
Seria The Journals of Derek Jarman
ISBN-10: 178487387X
Pagini: 336
Dimensiuni: 126 x 198 x 27 mm
Greutate: 0.26 kg
Editura: Vintage Publishing
Seria The Journals of Derek Jarman
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Notă biografică
Derek Jarman was born in London in 1942. His career spanned decades and genres, from painter, theatre designer, director, film maker, to poet, writer, campaigner and gardener. His features include Sebastiane (1976), Jubilee (1978), Caravaggio (1986), The Last of England (1987), Edward II (1991) and Blue (1993). His paintings ¿ for which he was a Turner Prize nominee in 1986 ¿ continue to be exhibited worldwide, and his garden in Dungeness remains a site of pilgrimage to fans and newcomers alike.
Recenzii
"Epiphanies infuse Modern Nature, Derek Jarman’s diaries from 1989 to 1990, with their ebullient evocations of gardening. For Jarman, planting flowers at his wind- and sea-blasted cottage and then reciting their names (endlessly, passionately) becomes sex, becomes the fullness he’s on his way to leaving as he grows sicker from AIDS." —Village Voice Literary Supplement
"The pace of Jarman’s life as chronicled in Modern Nature is unpredictable. In more energetic moments, Jarman cruises the public parks, makes a film without a script (The Last of England, 1987), and attempts to get Matt Dillon’s heartbeat for a project. He plants saxifrage and sea kale. He starts taking AZT. When Jarman discovered he was seropositive, he set himself a goal: to disclose his status and survive Margaret Thatcher. These he has done with aplomb." —Artforum