Modernism and Scottish Theatre since 1969: A Revolution on Stage
Autor Mark Brownen Limba Engleză Hardback – 14 ian 2019
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Specificații
ISBN-13: 9783319986388
ISBN-10: 3319986384
Pagini: 260
Ilustrații: XVII, 254 p. 9 illus.
Dimensiuni: 148 x 210 x 22 mm
Greutate: 0.48 kg
Ediția:1st ed. 2019
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Locul publicării:Cham, Switzerland
ISBN-10: 3319986384
Pagini: 260
Ilustrații: XVII, 254 p. 9 illus.
Dimensiuni: 148 x 210 x 22 mm
Greutate: 0.48 kg
Ediția:1st ed. 2019
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Locul publicării:Cham, Switzerland
Cuprins
1. Preface: Defining our terms.- 2. Introduction.- 3. 'My wife glimpsed a testicle!': the Citizens Theatre since 1969.- 4. Communicado and 'popular experimentalism'.- 5. Interviews with five theatremakers.- 6. The National Theatre of Scotland: mapping onto the landscape.- 7. Conclusion: the future of a renaissance.
Notă biografică
Mark Brown is theatre critic of the Scottish national newspaper the Sunday Herald and Scottish critic of the UK national title the Daily Telegraph. He teaches regularly at the Royal Conservatoire of Scotland and is a guest lecturer at the University of St Andrews and other universities. He holds a doctorate in Theatre Studies from the University of Dundee.
Textul de pe ultima copertă
This book argues that Scottish theatre has, since the late 1960s, undergone an artistic renaissance, driven by European Modernist aesthetics. Combining detailed research and analysis with exclusive interviews with ten leading figures in modern Scottish drama, the book sets out the case for the last half-century as the strongest period in the history of the Scottish stage. Mark Brown traces the development of Scottish theatre’s Modernist revolution from the arrival of influential theatre director Giles Havergal at the Citizens Theatre, Glasgow in 1969 through to the advent of the National Theatre of Scotland in 2006. Finally, the book contemplates the future of Scotland’s theatrical renaissance. It is essential reading for anyone interested in contemporary theatre and/or the modern history of live drama in Scotland.
Caracteristici
Considers the question of Scotland's modern theatrical Renaissance - the first monograph to do so Includes interviews with five key Scottish theatremakers Contributes the perspective of a long-established theatre critic and academic