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Modernism beyond the Human: Transnational Perspectives: Critical Posthumanisms, cartea 4

Alberto Godioli, Carmen van den Bergh
en Limba Engleză Hardback – 10 oct 2023
One of the defining features of modernism lies in its far-reaching rethinking of the relation between the human and the non-human. In the present volume, this crucial aspect of modernism’s legacy is investigated from an authentically transnational perspective, taking an innovative stance on a diverse range of authors – from posthumanist classics such as Beckett and Woolf to Valentine de Saint-Point, Radoje Domanovic and Aldo Palazzeschi among others.
On the one hand, this collection sheds new light on the modernist contribution to posthumanism, providing a valuable reference point for future studies on the topic. On the other, it offers a new take on the transnational dimension of modernism, highlighting unexplored convergences between modernist authors from several different national contexts.
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Specificații

ISBN-13: 9789004549678
ISBN-10: 9004549676
Pagini: 275
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Critical Posthumanisms


Notă biografică

Alberto Godioli is Associate Professor in European Culture and Literature at the University of Groningen, and Programme Director of the Netherlands Research School for Literary Studies (OSL). His publications on modernism include Laughter from Realism to Modernism (2015) and La scemenza del mondo (2011; Edinburgh Gadda First Prize). He is principal investigator of an NWO Vidi project on humor andfree speech jurisprudence (2022-2027), and founder of the Forum for Humor and the Law (www.forhum.org).

Carmen van den Bergh is Assistant Professor in Italian Literature at the Leiden University Centre for Arts in Society (LUCAS) in the Netherlands, where she is director of the Italian Language and Culture Department. Simultaneously she works in Belgium at the University of Leuven (KU Leuven) as a senior research fellow for the Flemish Council for Scientific Research (FWO) with a project on the role of writers in newspapers and magazines of the Italian Novecento. Her specializations include Italian modernism, prose writings during the Italian interwar, (neo)realism in film and literature, the literary canon and the function of anthologies.

Cuprins

List of Figures

Notes on Contributors

Introduction
Alberto Godioli and Carmen van den Bergh

Part 1
Modernism and the Nonhuman
1 Prefiguring Modernist Posthumanism: Baudelaire, Rimbaud and the Objectification of the Lyric Self
Alessandro Cabiati

2 Becoming-Digit: Valentine de Saint-Point’s Posthumanist Futurism
Pavlina Radia

3 Politics of Identity: Giuseppe Ungaretti’s Poetry of the Great War Between Nomadic Subjectivity and Performative Realism
Enrica Maria Ferrara

4 Variations On “Maquinismo”: Looking Beyond the Human in Ramón Gómez de la Serna’s Writings
Ângela Fernandes

5 The Tender Being of Something Else: Geography and Lists in Gertrude Stein’s Ida
Laura Oulanne

6 Samuel Beckett and Modernist Vitalism
Marc Farrant

Part 2
Modernist Animals
7 Rumination of a Serbian Ox: Radoje Domanovic’s Satire of Anthropocentric Folly
Vedran Catovic

8 “Come se”: Transcending the Human-Animal Divide in Pirandello’s Short Stories
Santi Luca Famà

9 Modernist Exiles: the Berlin Years of Viktor Shklovsky, Aleksei Remizov, and the Masturbating Ape
Asiya Bulatova

10 “Brandishing Her Plumes”: Virginia Woolf, Feather Tropes, and the Plumage (Prohibition) Bill
Saskia McCracken

11 Posthumanism avant la lettre: Robert Musil’s The Man without Qualities and the Boundaries of Humankind
Florian Kappeler

12 Animals and Logos in Samuel Beckett’s Molloy, Malone Dies, and The Unnamable
Laura Lainväe

13 Towards an Interpretation of a Modernist Bestiary in Color: Palazzeschi’s Bestie Del 900 and Maccari’s Illustrations
Sarah Bonciarelli

Index