Much Maligned Monsters: History of European Reactions to Indian Art
Autor Partha Mitteren Limba Engleză Hardback – 3 oct 2013
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Specificații
ISBN-13: 9780198089711
ISBN-10: 0198089716
Pagini: 456
Ilustrații: 123 b/w photo + 2 maps
Dimensiuni: 164 x 246 x 34 mm
Greutate: 0.79 kg
Ediția:New.
Editura: OUP INDIA
Colecția OUP India
Locul publicării:Delhi, India
ISBN-10: 0198089716
Pagini: 456
Ilustrații: 123 b/w photo + 2 maps
Dimensiuni: 164 x 246 x 34 mm
Greutate: 0.79 kg
Ediția:New.
Editura: OUP INDIA
Colecția OUP India
Locul publicării:Delhi, India
Notă biografică
Partha Mitter is Emeritus Professor of art history at University of Sussex, England; a member of Wolfson College, Oxford University; and past fellow of Clare Hall, Cambridge University. He is the author of Art and Nationalism in Colonial India, 1850-1922 (1994), Indian Art (2001), and The Triumph of Modernism: Indian Artists and the Avant-garde, 1922-1947 (2007).
Cuprins
List of Plates
Preface to the 1992 Edition
Preface
Abbreviations
Map
I. Indian Art in Travellers' Tales
(i) Much Maligned Monsters
(ii) Wonders of Elephanta
(iii) Paganism Revealed
II. Eighteenth Century Antiquarians and Erotic Gods
III. Orientalists, Picturesque Travellers, and Archaeologists
(i) Anquetil-Duperron, Niebuhr, Le Gentil, and Sonnerat
(ii) The Sublime, the Picturesque, and Indian Architecture
(iii) India and the Rise of Scientific Archaeology
(iv) From Reynolds to Rám Ráz
IV. Historical and Philosophical Interpretations of Indian Art
(i) The Debate on the Origin of the Arts
(ii) Creuzer and Hegel
V. The Victorian Interlude
(i) Owen Jones and the New School of Industrial Design
(ii) John Ruskin and William Morris
VI. Towards the Twentieth Century: A Reassessment of Present Attitudes
Notes
Appendix 1. Outline of Early European Collections of Indian Art
Appendix 2. On Elephanta and Salsette from Castro's Roteiro
Bibliography
Index
Preface to the 1992 Edition
Preface
Abbreviations
Map
I. Indian Art in Travellers' Tales
(i) Much Maligned Monsters
(ii) Wonders of Elephanta
(iii) Paganism Revealed
II. Eighteenth Century Antiquarians and Erotic Gods
III. Orientalists, Picturesque Travellers, and Archaeologists
(i) Anquetil-Duperron, Niebuhr, Le Gentil, and Sonnerat
(ii) The Sublime, the Picturesque, and Indian Architecture
(iii) India and the Rise of Scientific Archaeology
(iv) From Reynolds to Rám Ráz
IV. Historical and Philosophical Interpretations of Indian Art
(i) The Debate on the Origin of the Arts
(ii) Creuzer and Hegel
V. The Victorian Interlude
(i) Owen Jones and the New School of Industrial Design
(ii) John Ruskin and William Morris
VI. Towards the Twentieth Century: A Reassessment of Present Attitudes
Notes
Appendix 1. Outline of Early European Collections of Indian Art
Appendix 2. On Elephanta and Salsette from Castro's Roteiro
Bibliography
Index