Muriel Spark: The Biography
Autor Martin Stannarden Limba Engleză Paperback – 31 oct 2011
Born in 1918 into a working-class Edinburgh family, Muriel Spark became the epitome of literary chic and one of the great writers of the twentieth century. Her autobiography, Curriculum Vitae: A Volume of Autobiography, recorded her early years but politely blurred her darker moments: troubled relations with her family, a terrifying period of hallucinations, and disastrous affairs with the men she loved. At the age of nineteen, Spark left Scotland to get married in southern Rhodesia, only to divorce and escape back to Britain in 1944. After converting to Catholicism in 1954, she began writing novels that propelled her into the literary stratosphere. These came to include Memento Mori, The Girls of Slender Means, and A Far Cry from Kensington.
Spark achieved international celebrity with The Prime of Miss Jean Brodie (1961), later adapted into a successful play and film. John Updike, Tennessee Williams, Evelyn Waugh, and Graham Greene, among others, applauded her work. She lived part-time in New York City, had an office at the New Yorker, and became friends with Shirley Hazzard and W. H. Auden. Spark ultimately settled in Italy, where for more than thirty years—until her death in 2006—she shared a house with the artist Penelope Jardine. Spark gave Martin Stannard full access to her papers. He interviewed her many times as well as speaking to her colleagues, friends, and family members. The result is an indelible portrait of one of the most significant and emotionally complicated writers of the twentieth century, full of strong feeling, sharp wit, and unabashed ambition.
Spark achieved international celebrity with The Prime of Miss Jean Brodie (1961), later adapted into a successful play and film. John Updike, Tennessee Williams, Evelyn Waugh, and Graham Greene, among others, applauded her work. She lived part-time in New York City, had an office at the New Yorker, and became friends with Shirley Hazzard and W. H. Auden. Spark ultimately settled in Italy, where for more than thirty years—until her death in 2006—she shared a house with the artist Penelope Jardine. Spark gave Martin Stannard full access to her papers. He interviewed her many times as well as speaking to her colleagues, friends, and family members. The result is an indelible portrait of one of the most significant and emotionally complicated writers of the twentieth century, full of strong feeling, sharp wit, and unabashed ambition.
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Specificații
ISBN-13: 9780810127913
ISBN-10: 0810127911
Pagini: 670
Ilustrații: 48
Dimensiuni: 152 x 235 x 38 mm
Greutate: 0.93 kg
Editura: Northwestern University Press
Colecția Northwestern University Press
ISBN-10: 0810127911
Pagini: 670
Ilustrații: 48
Dimensiuni: 152 x 235 x 38 mm
Greutate: 0.93 kg
Editura: Northwestern University Press
Colecția Northwestern University Press
Notă biografică
Martin Stannard is a professor of modern English literature at the University of Leicester and a Fellow of the Royal Society of Literature. He is author of Evelyn Waugh: No Abiding City, chosen as "Book of the Year" by Muriel Spark and by William Boyd as one of his "Books of the Millennium."
Cuprins
List of Illustrations
Acknowledgements
Preface: The Cake Be Damned
1 Night and Day: 1962–1918
2 Home and Away: 1918–1937
3 Out ofAf rica: 1937–1945
4 Finding a Voice: 1945–1949
5 Kensington: 1949–1951
6 Sacramental: 1951–1954
7 Conversion: 1954–1957
8 Acquiring Lorgnettes: 1957–1959
9 Exposure: 1959–1960
10 Transfiguration: 1960–1962
11 Time / Life: 1962–1963
12 Amours de Voyage: 1963–1965
13 Looking Round: 1965–1968
14 In the Driver’s Seat: 1968–1970
15 Lucrezia Borgia in Trousers: 1971–1974
16 The Realm ofMythology: 1974–1979
17 Goodbye, Goodbye, Goodbye, Goodbye: 1979–1982
18 A Speck in the Distance: 1982–1988
19 Settling the Bill: 1988–1992
20 Dark Music: 1992–2006
Epilogue
Note on References
Endnotes
Select Bibliography
Index
Acknowledgements
Preface: The Cake Be Damned
1 Night and Day: 1962–1918
2 Home and Away: 1918–1937
3 Out ofAf rica: 1937–1945
4 Finding a Voice: 1945–1949
5 Kensington: 1949–1951
6 Sacramental: 1951–1954
7 Conversion: 1954–1957
8 Acquiring Lorgnettes: 1957–1959
9 Exposure: 1959–1960
10 Transfiguration: 1960–1962
11 Time / Life: 1962–1963
12 Amours de Voyage: 1963–1965
13 Looking Round: 1965–1968
14 In the Driver’s Seat: 1968–1970
15 Lucrezia Borgia in Trousers: 1971–1974
16 The Realm ofMythology: 1974–1979
17 Goodbye, Goodbye, Goodbye, Goodbye: 1979–1982
18 A Speck in the Distance: 1982–1988
19 Settling the Bill: 1988–1992
20 Dark Music: 1992–2006
Epilogue
Note on References
Endnotes
Select Bibliography
Index
Recenzii
“[Stannard’s] magnanimity as a biographer allows [Spark] all her apparent contradictions, while his critical attentions do just what a literary biography should do: make the reader hungry to explore her works.”—Frances Taliaferro, Wall Street Journal
“Stannard has dug deeply, and with keen and sympathetic insight. His prose is graceful and assured, his literary judgments discerning, and his biography is as definitive as we can expect to find.”—Publishers Weekly, Starred Review
A New York Times Editor’s Choice: “Thorough, judicious and insightful.”—Charles McGrath
Descriere
Born in 1918 into a working-class Edinburgh family, Muriel Spark became the epitome of literary chic and one of the great writers of the twentieth century. Her autobiography, Curriculum Vitae: A Volume of Autobiography, recorded her early years but politely blurred her darker moments: troubled relations with her family, a terrifying period of hallucinations, and disastrous affairs with the men she loved. Spark gave Martin Stannard full access to her papers. He interviewed her many times as well as speaking to her colleagues, friends, and family members.