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Museums and Difference

Autor Daniel J. Sherman
en Limba Engleză Paperback – 25 dec 2007
Museums, modern concepts of culture, and ideas about difference arose together and are inextricably entwined. Relationships of difference--notably, of gender, ethnicity, nationality, and race--have become equally important concerns of scholarship in humanities and contemporary museum practice. Museums and Difference offers the perspectives of scholars and museum professionals in tandem, using the concept of difference to reexamine how museums construct themselves, their collections, and their publics. Essays explore a wide range of examples from around the world and from the 19th century to the present, including case studies of special exhibitions as well as broad surveys of institutions in Europe, the United States, and Japan.
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Specificații

ISBN-13: 9780253219350
ISBN-10: 0253219353
Pagini: 400
Ilustrații: 58 b&w photos
Dimensiuni: 156 x 233 x 26 mm
Greutate: 0.57 kg
Editura: MH – Indiana University Press
Locul publicării:United States

Cuprins

Introduction, Daniel J. ShermanPart 1. Representing Difference 1. Art Museums and Commonality: A History of High Ideals, Andrew McClellan; 2. "The Last Wild Indian in North America": Changing Museum Representations of Ishi, Ira Jacknis; 3. National Museums and Other Cultures in Modern Japan, Angus Lockyer; 4. Cultural Difference and Cultural Diversity: The Case of the Musée du Quai Branly, Nélia Dias; 5. Gunther von Hagens's Body Worlds: Exhibitionary Practice, German History, and Difference, Peter M. McIsaacPart 2. Representing Differently 6. Meta Warrick's 1907 "Negro Tableaux" and (Re)Presenting African American Historical Memory, W. Fitzhugh Brundage; 7. Skulls on Display: The Science of Race in Paris' Musée de l'Homme, 1928-1950, Alice L. Conklin; 8. Dossier: "Inventing Race" in Los Angeles, Ilona Katzew and Daniel J. Sherman; 9. Living and Dying: Ethnography, Class, and Aesthetics in the British Museum, Lissant Bolton; 10. Museums and Historical Amnesia, William H. Truettner

Recenzii

“Demonstrates both the centrality and rapidly changing significance of difference in museum practice and poses a number of critical questions for future scholarship, such as, for example, whether or not aesthetic distinctions can ever be employed in museums in a manner that does not privilege the identity of one or another social group.” David O'Brien, University of Illinois at Urbana-Champaign

Notă biografică

edited by Daniel J. Sherman

Descriere

How museums construct themselves, their collections, and their publics