Museums, Social Inclusion, and Online Networks: Routledge Research in Museum Studies
Autor Angelina Russo, Lynda Kellyen Limba Engleză Hardback – 5 ian 2026
Based on research conducted with international museums over the past 6 years, this book explores three key areas: engagement, participation, and co-creation as the keystones for understanding the value of the "social" museum. Using a number of global examples to describe and map the ways in which social media has been explored within communication programs, authors Russo and Kelly offer a window into the challenges which face future communication strategies and curatorial practices within museums. This book develops models for new partnerships, based on critical analysis of both the impact of social media and evaluations of some of the most successful examples in the sector to date. In this way new essential lessons for museum professionals, museum studies students, and potential collaborators are made accessible.
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Specificații
ISBN-13: 9780415837378
ISBN-10: 0415837375
Pagini: 256
Dimensiuni: 152 x 229 mm
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Research in Museum Studies
Locul publicării:Oxford, United Kingdom
ISBN-10: 0415837375
Pagini: 256
Dimensiuni: 152 x 229 mm
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Research in Museum Studies
Locul publicării:Oxford, United Kingdom
Public țintă
Postgraduate and UndergraduateCuprins
Prologue John Hartley Foreword Maxwell Anderson Introduction Part 1: What Makes the Museum Social? 1. From Gatekeeping to Co-Creation 2. The Social Museum: Creating Expectations of Exchange Part 2: The Social in Practice 3. Engagement: Lowering Barriers to Participation 4. Participation: From Social to Participatory Media 5. Co-Creation: From Us to Them and Back Again Part 3: From Here to Where? 6. Transformations in Cultural Communication Notes Index
Descriere
Over the past few years an increasing number of museums have experimented with social media to demonstrate that they are listening and engaging in the world outside. While a number of new publications describe the rise of social media as a potential panacea for dwindling audiences, this book is unique in its recognition that participation has not, for the most part, affected the majority of museum practices. Using a number of global examples to describe and map the ways in which social media has been explored within communication programs, authors Russo and Kelly offer a window into the challenges which face future communication strategies and curatorial practices within museums. In this way new essential lessons for museum professionals, museum studies students, and potential collaborators are made accessible.