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Music and Concert Hall Acoustics: Conference Proceedings from McHa 1995

Editat de Dennis Noson, Yoichi Ando
en Limba Engleză Hardback – 30 sep 1996
Music and Concert Hall Acoustics examines the fundamental relationship between the music, the concert hall, and the listener. Chapters cover topics including the analysis of music signals, adjustment of music to a particular music hall, and the temporal and spatial properties of sound fields. This intriguing book also considers the fusing of acoustics and architecture, design studies of concert halls, and design studies of large acoustic spaces and electroacoustic systems, and the most suitable materials to be used in concert hall construction.
From the design and construction of the concert hall itself to individual and global subjective evaluations of sound fields, Music and Concert Hall Acoustics details exactly how each variable in a concert hall can affect a live musical performance. The excellent contributions to this book will be of interest to musically-minded electrical engineers, physicists, and anyone else working in the a field concerned with architectural acoustics.

Contributors are recognized experts in the field
Considers both acoustics and architecture
Includes analysis of music signals
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Specificații

ISBN-13: 9780120595556
ISBN-10: 0120595559
Pagini: 433
Dimensiuni: 159 x 235 x 23 mm
Greutate: 0.74 kg
Editura: Routledge

Public țintă

Engineers, physicists, and students working in the field of architectural acoustics; musically minded electrical engineers; amateurs and professionals in music.

Cuprins

Introduction. Section A: F. Maki,<$> Sound and Figure: Concert Hall Design. Y. Ikeda,<$> Designing a Contemporary Classic Concert Hall Using Computer Graphics. T.L. Bosworth,<$> Architecture as Light, Sound, andTime. Y. Ando and P.K. Singh,<$> Global Subjective Evaluations for Design of Sound Fields and Individual Subjective Preference for Seat Selection. T. Nakajima and Y. Ando,<$> Calculation and Measurement of Acoustic Factors at Each Seat in the Kirishima International Concert Hall. M. Sakurai, Y. Korenaga, and Y. Ando,<$> A Sound Simulation System for Seat Selection. M. Takeuchi, Y. Mori, and Y. Ando,<$> Sound Reinforcement System of the Kirishima International Concert Hall. A. Cocchi, A. Farina, M. Garai, and L. Tronchin,<$> Computer Assisted Methods and Acoustic Quality: Recent Application Cases. C. Jaffe,<$> Selective Reflection and Acoustic Coupling in Concert Hall Design. R.L. Mckay,<$> Auditorium Sound Field Control by Movable Architectural Elements. D. Noson,<$> A Comparison of Measured Cross Correlations in Small Auditoriums. S. Sato, Y. Mori, and Y. Ando,<$> The Subjective Evaluation of Source Locations on the Stage by Listeners. H. Sakaai, P.K. Singh, and Y. Ando,<$>Inter-individual Differences in Subjective Preference Judgements of Sound Fields. Y. Ueda, H. Furuichi, and Y. Ando,<$> The Just Noticeable Difference in Variable Delay Time of the Single Reflection. M. Nagamoto,<$> Historical Background of ConcertHall Acoustics in Japan: Art and Concept. M.R. Schroeder,<$> Probability and Number Theory in Concert Hall Acoustics. P. Damaske,<$> Diffuse Onset of Reverberation. D. Takahashi,<$> A Design Method for Optimum Acoustic Diffusers. K. Masuda andK. Fujiwara,<$> Sound Reflection from Periodical Uneven Surfaces. H. Onitsuka and F. Kawakami,<$> Numerical Study of the Energy Dissipation in QR Diffusors. K. Fujiwara,<$> Sound Reflection and Absorption of a QR-type Schroeder Diffuser. H. Suzuki,<$> Effect of Inharmonicity of a Piano on Tuning. T. Taguti and Y. Ando,<$> Characterstics of the Short-term Autocorrelation Function of Sound Signals in Piano Performances. M. Tohyama, Y. Fujisaka, A. Sugimura, and H. Onitsuka, <$> Chaotic Properties of Higher Modes in a Two-Dimensional Field. H. Yanagawa,<$> Transient Interaural Cross Correlation Function in Rooms. I.G.N. Merthayasa and Y. Ando,<$> The Autocorrelation Function of Sound at Each Seat in a Hall. Y. Kobayashi, II. Tokahiro, M. Owaki, K. Okuno, S. Yamada, and Y. Ando,<$> Acoustic Design and Characteristics of the Atrium for a Music Performance in a Hotel. Y. Korenaga,<$> A New Method of Calculating Speech Intelligibility with Respect to the Delay Time of Reflections. H. Sato, M. Nagatomo, and II. Yoshino,<$> Relationships Among Articulation, Audibility, and STI Under Reverberation Fields. A. Takatsu, Y. Mori, and Y. Ando,<$> The Architectural and Acoustic Design of a Circular Event Hall in Kobe Fashion Plaza. L.L. Beranek,<$> Determination of Categories of Acoustical Quality in Concert Halls Using the Interview Method. T. Hidaka, L.L. Beranek, and T. Okano,<$> Some Considerations of Interaural Cross Correlation and Lateral Fraction as measures of Spaciousnessin Concert Halls. P.A. Bilsen,<$> Binaural Modeling of Spaciousness and Coloration. M. Nagata,<$> Uncertain Factors in Acoustical Design. T. Hanyu and S. Kimura,<$> Analysis of Diffusibility in Sound Field Transient Response. S. Namba, S. Kuwano, and T. Yamasaki,<$> Temporal Masking and Legato Expression in Musical Performances. G. Bosse,<$> The Concert Hall: The Heart of Music and Cultural Life of the Concert. R. Johnson, F. Kahle, and R. Essert,<$> Variable Coupled Volume for Music Performance. S. Iwamiya, M. Sano, S. Koyama, S.-H. Kim, and R.A. Kendall,<$> The Relationship Between Musical and Visual Expressions. K. Ohjushi and M. Sakuma,<$> Conveyance of a Players Intentions in Performances of Percussion -- Interaction betweenAuditory and Visual Information. R. Teradaira, R. Hasegawa, N. Dohi, T. Ito, and K. Fujita,<$> Effects of Musical Appreciation at Fujuta Hall 2000 on Mind and Body. Y. Yoshida, K. Hayashi, and K. Miyoshi,<$> The Programmed Music System Z-MUSIC as anExtended Instrument. J. Meyer, <$> Comprehending Concert Hall Acoustics by Orchestra Demonstrations.

Descriere

From the design and construction of the concert hall itself to individual and global subjective evaluations of sound fields, "Music and Concert Hall Acoustics" details exactly how each variable in a concert hall can affect a live musical performance. The contributions to this book will be of interest to civil engineers, physicists, music lovers, and anyone else working in a field concerned with architectural acoustics.