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Music and More: Essays, 1975-1991

Autor Samuel Lipman
en Limba Engleză Paperback – 25 apr 1994
"Classical music today is in deep trouble." With these disturbing words, Samuel Lipman introduces us to his own testimony on the current condition of music-and of our culture itself. His bold essays passionately defend the best in this culture against what Lipman sees as its growing banalization and politicization. Lipman's expertise in music is unmistakable, but he writes with the general reader in mind-lucidly, nontechnically, arrestingly.
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Specificații

ISBN-13: 9780810110762
ISBN-10: 0810110768
Pagini: 318
Dimensiuni: 152 x 229 x 23 mm
Greutate: 0.49 kg
Ediția:1
Editura: Northwestern University Press
Colecția Northwestern University Press

Notă biografică

Samuel Lipman is the publisher of The New Criterion, the music critic for Commentary, and the author of The House of Music: Art in an Era of Institutions; Arguing for Music, Arguing for Culture; and Music after Modernism.

Cuprins

Acknowledgments
Introduction: The Culture of Classical Music Today

Part One: Composers
1. Music and Mao
2. Why Kurt Weill
3. American Music: The Years of Hope
4. Lenny on Our Minds
5. Hugo Weisgall's Six Characters
6. A New Look at Prokofiev

Part Two: Pianists
7. Rubinstein the Great Entertainer
8. Bartók at the Piano
9. Keith Jarrett Joins the Bach Parade
10. The Pupils of Clara Schumann and the Uses of Tradition
11. Does the Piano have a Future?

Part Three: Conductors
12. Willem Mengelberg at the Philharmoic
13. Pierre Monteux's Success
14. Toscanini and the Love of Great Music
15. Roger Norrington and Authentic Performance

Part Four: Critics and Writers
16. James William Davison of The (London) Times
17. James Huneker and America's Musical Coming-of-Age
18. Edward Said, Music Critic
19. But If the Artist Fail?

Part Five: Culture and Society
20. Ivy Litvinov: The Commissar's Wife
21. The Muse under Mussolini
22. Say No to Trash: Mapplethorpe and the NEA
23. Opera and Politics
24. Backward and Downward with the Arts

Notes

Descriere

"Classical music today is in deep trouble." With these disturbing words, Samuel Lipman introduces us to his own testimony on the current condition of music-and of our culture itself. His bold essays passionately defend the best in this culture against what Lipman sees as its growing banalization and politicization. Lipman's expertise in music is unmistakable, but he writes with the general reader in mind-lucidly, nontechnically, arrestingly.