Music as Social and Cultural Practice – Essays in Honour of Reinhard Strohm
Autor Melania Bucciarelli, Berta Joncus, Alina Zorawska–witkow, Amnon Shiloah, Anna Maria Busse Bergeren Limba Engleză Hardback – 18 iul 2007
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Specificații
ISBN-13: 9781843833178
ISBN-10: 1843833174
Pagini: 464
Dimensiuni: 164 x 240 x 31 mm
Greutate: 0.81 kg
Editura: BOYDELL PRESS
ISBN-10: 1843833174
Pagini: 464
Dimensiuni: 164 x 240 x 31 mm
Greutate: 0.81 kg
Editura: BOYDELL PRESS
Cuprins
Laudatio - Pierluigi Petrobelli Anonymous Arabic Treatises on Music: Lost Legacies, Hidden Answers - Amnon Shiloah Compositional Practices in Trecento Music: Model Books and Musical Traditions - Anna Maria Busse Berger Trompetta and Concordans Parts in the Early Fifteenth Century - Margaret Bent Recording for Posterity: Some Reflections on the Memorialising of Early Renaissance Music - Edward Wickham How to Sin in Music: Doctor Navarrus on Sixteenth-Century Singers - Bonnie Blackburn Traditions and Practices in Fifteenth- and Sixteenth-Century Sacred Polyphony: The Use of Solo Voices with Instrumental Accompaniment - Elena Quaranta Traditions and Practices in Fifteenth- and Sixteenth-Century Sacred Polyphony: The Use of Solo Voices with Instrumental Accompaniment - David Bryant `The City Full of Grief': Music for the Exequies of King Philip II - Giovanni Alberto Ristori and his Serenate at the Polish Court of Augustus III, 1735-1746 - Alina Zorawska-Witkowska `Cantate, que me veux-tu?' or: Do Handel's Cantatas Matter? - Ellen T. Harris Two Koechel Numbers, One Work - Christopher Wolff Identity and Poetic Style: The Case of Rosmene by Giueseppe Domenico de Totis - Norbert Dubowy How Operatic is Vivaldi's Juditha triumphans? - Michael Talbot Venice and the East: Operatic Readings of Tasso's Armida in Early Eighteenth-Century Venice - Melania Bucciarelli Literary Motifs in Metastasio's and Jommelli's Ciro riconosciuto - Francesca Menchelli-Buttini Producing Stars in Dramma per musica - The Pre-revolutionary Origins of `Terrorisme musical' - Michel Noiray Pieces into Works: Chrubini's Substitute Arias for the Théâtre Feydeau - Michael Fend At the Tavern with Manzoni and Verdi: I promessi sposi and the Dramaturgy of La forza del destino - Emanuele Seinci The Acoustic Proximity of Temporal Distance: Auratic Sonority in Mahler's Leider eines fahrenden Gesellen - Federico Celestini Creating a Concept of `Nazi Musicology' - Pamela Potter Et in Arcadia adhuc: Observations on the Continuing Evolution of the `Pastoral Idea' - Giovanni Morelli Reinhard Strohm: List of Publications - Janet Smith