Music for the Dead and Resurrected
Autor Valzhyna Morten Limba Engleză Paperback – 9 noi 2021
NAMED ONE OF THE BEST POETRY BOOKS OF 2020 BY The New York Times
In her book of letters to the dead, the prize-winning poet Valzhyna Mort relearns how to mourn those erased by violent history.
With shocking, unforgettable lyric force, Valzhyna Mort's Music for the Dead and Resurrected confronts
the legacy of violent death in one family in Belarus. In these letters to the dead, the poet asks: How do we mourn after a century of propaganda? Can private stories challenge the collective power of Soviet and American historical mythology?
Mort traces a route of devastation from the Chernobyl fallout and a school system controlled by ideology to the Soviet labor camps and the massacres of World War II. While musical form serves as a safe house for the poet's voice, old trees speak to her as the only remaining witnesses, hosts to both radiation and memory.
Valzhyna Mort, born in Belarus and now living in the United States, conjures a searing, hallucinogenic ritual of rhythmic remembrance in a world where appeals to virtue and justice have irrevocably failed.
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Specificații
ISBN-13: 9780374603243
ISBN-10: 0374603243
Pagini: 112
Dimensiuni: 133 x 205 x 9 mm
Greutate: 0.13 kg
Editura: Farrar, Straus and Giroux (Byr)
ISBN-10: 0374603243
Pagini: 112
Dimensiuni: 133 x 205 x 9 mm
Greutate: 0.13 kg
Editura: Farrar, Straus and Giroux (Byr)
Notă biografică
Valzhyna Mort
Caracteristici
This is Valzhyna Mort's third poetry collection, and the first to be published in the UK. Music for the Dead and Resurrected was named winner of the International Griffin Prize and a New York Times Best Poetry Book of 2020
Recenzii
[A] striking study of what Belarus can teach the world about state violence, collective memory, and the role of poetry in fighting tyranny . . . [Mort] captures, through language, the contours of dissent. Soviet monuments remain upright in Minsk, like concrete odes to terror, repression, and silence. And yet Music for the Dead and the Resurrected feels like its own monument, not only to Belarusians but also to victims of state violence around the world