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Music for the People: Popular Music and Dance in Interwar Britain de James J. Nott

Music for the People: Popular Music and Dance in Interwar Britain: Oxford Historical Monographs

Autor James J. Nott
en Limba Engleză Hardback – 4 sep 2002
Popular music was a powerful and persistent influence in the daily life of millions in interwar Britain, yet these crucial years in the development of the popular music industry have rarely been the subject of detailed investigation. For the first time, here is a comprehensive survey of the British popular music industry and its audience. The book examines the changes to popular music and the industry and their impact on British society and culture from 1918 to 1939. It looks at the businesses involved in the supply of popular music, how the industry organised itself, and who controlled it. It attempts to establish the size of the audience for popular music and to determine who this audience was. Finally, it considers popular music itself - how the music changed, which music was the most popular, and how certain genres were made available to the public.
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Specificații

ISBN-13: 9780199254071
ISBN-10: 0199254079
Pagini: 302
Ilustrații: 12pp halftone plates, 9 tables
Dimensiuni: 163 x 242 x 22 mm
Greutate: 0.59 kg
Editura: OUP OXFORD
Colecția OUP Oxford
Seria Oxford Historical Monographs

Locul publicării:Oxford, United Kingdom

Recenzii

Nott provides an excellent account of the technology and commercial development of the gramophone, radio and cinema.
This is an important contribution to interwar history and its popular culture.
Historians have generally not given music the attention that they have been prepared to allow to literature and fine art. Reading books of this quality might finally make them realise just how much they have been missing.
[Nott] is at his best when writing the socio-economic history of music, showing a good eye for significant data, industrial imperatives and patterns of change over time. He is particularly good on the gramophone industry as it attempted to build an image of respectability while also remaining attuned to the demands of the marketplace, and produces one of the best accounts to date of the workings of European and Irish-based commercial radio.
... excellently researched and constantly thoughtful.
Mechanization, commercialization, Americanization, standardization--such are the governing themes of James J. Nott's fascinating, scholarly account of the popular music industry in Britain between the wars.
... a clear, well-researched and entertaining volume.
Nott should be congratulated for a work that runs from the comedy of George Formby, the musicals of Jessie Matthews, the swing of Benny Goodman, and the star status of dance band leaders such as Jack Hylton, Henry Hall, and Jack Payne. This is a fine, scholarly monograph and the author demonstrates a clarity of expression throughout. Such a comprehensive account of inter-war commercial music deserves a long shelf life among studies of twentieth-century popular culture.
This academic but readable book will fascinate the enthusiast and social historian alike ... for those seriously interested in the analysis of popular music it is a must.
Different aspects of popular music are analysed in an academic but readable manner.