Music in Renaissance Florence: Studies and Documents: Variorum Collected Studies
Autor Frank A. D'Acconeen Limba Engleză Hardback – 28 sep 2006
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Specificații
ISBN-13: 9780754659006
ISBN-10: 0754659003
Pagini: 360
Dimensiuni: 150 x 224 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Variorum Collected Studies
Locul publicării:Oxford, United Kingdom
ISBN-10: 0754659003
Pagini: 360
Dimensiuni: 150 x 224 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Variorum Collected Studies
Locul publicării:Oxford, United Kingdom
Public țintă
Academic and PostgraduateCuprins
Contents: Introduction; Music and musicians at the Florentine monastery of Santa Trinita, 1360-63; Una nuova fonte dell'Ars Nova Italiana: Il codice di San Lorenzo, 2211; Music and musicians at Santa Maria del Fiore in the early Quattrocento; The singers of San Giovanni in Florence during the 15th century; Lorenzo the Magnificent and music; Sacred music in Florence in Savonarola's time; Heinrich Isaac in Florence: new and unpublished documents; Some neglected composers in the Florentine chapels, ca. 1475-1525; Alessandro Coppini and Bartolomeo degli Organi - two Florentine composers of the Renaissance; Addenda and Corrigenda; Index.
Notă biografică
Frank A. D'Accone is Professor Emeritus of Music at the University of California, Los Angeles, USA.
Recenzii
'This is a useful collection of articles which gives insight into the musical world of a city better known for its visual arts, and as a demonstration of the value of careful archival work.' Early Music Review ’D’Accone’s work has been characterized by a judicious combination of archival research and penetrating critical reasoning, enabling him to come up with narratives that are both factually precise and flowing in their prose style.’ Music & Letters
Descriere
Based primarily on previously unpublished documents, the studies assembled here in this first selection by Frank D'Accone set the background for the musical efflorescence that occurred in Florence in the later 15th century and for the emergence in the early 16th century of a new Florentine school of composers. He traces the origins and development of musical chapels at the Cathedral and Baptistery, and the growth of musical establishments at several other churches such as the Santissima Annunziata, Santa Trinita and San Lorenzo.