Musica Disciplina, Vol. 58, 2013: Musica Disciplina, cartea 58

BEVILACQUA, Gregorio. “Conductus or Motet? A New Source and a Question of Genre.” Musica Disciplina 58 (2013):9. DUHAMEL, Pascale. “The Gothic Architecture of John of Garland’s De mensurabili musica.” Musica Disciplina 58 (2013):29. EVERIST, Mark. “Master and Disciple: Teaching the Composition of Polyphony in the Thirteenth Century.” Musica Disciplina 58 (2013):51. GRAU, Anna Kathryn. “Hearing Voices: Heteroglossia, Homoglossia, and the Old French Motet.” Musica Disciplina 58 (2013):73. GUHL-MILLER, Solomon. “Three Hypothetical Phases of Notre Dame Organum Performance Practice.” Musica Disciplina 58 (2013):101. HAMILTON, Elina G. “Walter of Evesham and De speculatione musicae: Authority of Music Theory in Medieval England.” Musica Disciplina 58 (2013):153. MASCHKE, Eva M. “Porta Salutis Ave: Manuscript Culture, Material Culture, and Music.” Musica Disciplina 58 (2013):167. PLANCHART, Alejandro Enrique. “Proportion and Symbolism in Some Ars Antiqua Motets.” Musica Disciplina 58 (2013):231. RILLON-MARNE, Anne-Zoé. “Notre Dame Conductus and the Renewal of Speech at the Turn of the 12th and 13th Centuries: The Sonorous Framing of the Congregation.” Musica Disciplina 58 (2013):265. SABAINO, Daniele. “The Repertoire of Parisian Conductus as a Case-Study in the Tonal Organization of Gothic Polyphony.” Musica Disciplina 58 (2013):287. SAINT-CRICQ, Gaël. “Transmitting a Compositional Process: Two Thirteenth-Century Motets.” Musica Disciplina 58 (2013):327. SALTZSTEIN, Jennifer. “Ovid and the Thirteenth-Century Motet: Quotation, Reinterpretation, and Vernacular Hermeneutics.” Musica Disciplina 58 (2013):351. WILLAIMSON, Amy. “English Polyphonic Music around 1300: Genre and Repertory in Cambridge, Corpus Christi Ms 8.” Musica Disciplina 58 (2013):373. WOLINSKI, Mary E. “Hocketing and the Imperfect Modes in Relation to Poetic Expression in the Thirteenth Century.” Musica Disciplina 58 (2013):393. General Bibliography. Musica Disciplina 58 (2013):413.