Musical Echoes – South African Women Thinking in Jazz: Refiguring American Music
Autor Carol Ann Muller, Sathima Bea Benjaminen Limba Engleză Paperback – 15 noi 2011
Din seria Refiguring American Music
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Specificații
ISBN-13: 9780822349143
ISBN-10: 0822349140
Pagini: 384
Ilustrații: 32 illustrations
Dimensiuni: 156 x 233 x 25 mm
Greutate: 0.53 kg
Ediția:New.
Editura: MD – Duke University Press
Seria Refiguring American Music
ISBN-10: 0822349140
Pagini: 384
Ilustrații: 32 illustrations
Dimensiuni: 156 x 233 x 25 mm
Greutate: 0.53 kg
Ediția:New.
Editura: MD – Duke University Press
Seria Refiguring American Music
Recenzii
"Muller, herself a white South African academic working in the US and with a family situation that includes multiple ethnicities, adoptive and otherwise, does a remarkable job in piecing together Benjamin's life, work and significance within the context of post-apartheid history, using Sarah Nuttal's recent writings on 'entanglement' for theoretical support." Brian Morton, The Wire, February 2012
Musical Echoes, written by a white South African academic but with integral input from Benjamin herself... Muller tells the story of Benjamin the woman deemed insufficiently commercial and insufficiently African from teenage talent show victories to setting up the Ekapa label in the 1980s and finally being awarded the Order of Ikhamanga by President Mbeki in 2004. Yet Ibrahim has cited the loss of information as one legacy of apartheid, and the broader context filling in those gaps is also key to the appeal of Mullers meticulously researched book. - Murcus ODair, Jazzwise, February 2012
Sathima Bea Benjamin ought to share company with the likes of Sarah Vaughan, Billie Holiday, Dinah Washington, Ella Fitzgerald and Betty Carter. . . . [She] never compromis[es] her own musical vision, refusing to either remake herself into an American jazz singer or into what the world imagines to be authentically African. She is who she is, Sathima Bea Benjamin, South Africas greatest jazz singer and one of the best the world has ever known. Robin D. G. Kelley, JazzTimes
"...Landmark book...The book, grounded in the biographical recollections of veteran vo calist Sathima Bea Benjamin, tells us a great deal about the tectonic shift that has been taking place in musicology outside this country." Gwen Ansell, businessday.co.za, 17th January 2012
Musical Echoes not only introduces a very important vocalist, Sathima Bea Benjamin, to audiences who may not know of her. It also makes a great contribution to scholarship on jazz, world music, cultural theory, and the African diaspora. It challenges us to reconsider and revise the nationalist narratives that characterize much writing on jazz, and it provides a new framework for discussing the production, circulation, and transformation of musical cultures.--Farah Jasmine Griffin, author of If You Cant Be Free, Be a Mystery: In Search of Billie Holiday
"Muller, herself a white South African academic working in the US and with a family situation that includes multiple ethnicities, adoptive and otherwise, does a remarkable job in piecing together Benjamin's life, work and significance within the context of post-apartheid history, using Sarah Nuttal's recent writings on 'entanglement' for theoretical support." Brian Morton, The Wire, February 2012 "Musical Echoes, written by a white South African academic but with integral input from Benjamin herself... Muller tells the story of Benjamin - the woman deemed insufficiently commercial and insufficiently African - from teenage talent show victories to setting up the Ekapa label in the 1980s and finally being awarded the Order of Ikhamanga by President Mbeki in 2004. Yet Ibrahim has cited the loss of information as one legacy of apartheid, and the broader context - filling in those gaps - is also key to the appeal of Muller's meticulously researched book." - Murcus O'Dair, Jazzwise, February 2012 "Sathima Bea Benjamin ought to share company with the likes of Sarah Vaughan, Billie Holiday, Dinah Washington, Ella Fitzgerald and Betty Carter... [She] never compromis[es] her own musical vision, refusing to either remake herself into an 'American' jazz singer or into what the world imagines to be authentically 'African.' She is who she is, Sathima Bea Benjamin, South Africa's greatest jazz singer and one of the best the world has ever known." Robin D. G. Kelley, JazzTimes "...Landmark book...The book, grounded in the biographical recollections of veteran vo calist Sathima Bea Benjamin, tells us a great deal about the tectonic shift that has been taking place in musicology outside this country." Gwen Ansell, businessday.co.za, 17th January 2012 "Musical Echoes not only introduces a very important vocalist, Sathima Bea Benjamin, to audiences who may not know of her. It also makes a great contribution to scholarship on jazz, world music, cultural theory, and the African diaspora. It challenges us to reconsider and revise the nationalist narratives that characterize much writing on jazz, and it provides a new framework for discussing the production, circulation, and transformation of musical cultures."--Farah Jasmine Griffin, author of If You Can't Be Free, Be a Mystery: In Search of Billie Holiday
Musical Echoes, written by a white South African academic but with integral input from Benjamin herself... Muller tells the story of Benjamin the woman deemed insufficiently commercial and insufficiently African from teenage talent show victories to setting up the Ekapa label in the 1980s and finally being awarded the Order of Ikhamanga by President Mbeki in 2004. Yet Ibrahim has cited the loss of information as one legacy of apartheid, and the broader context filling in those gaps is also key to the appeal of Mullers meticulously researched book. - Murcus ODair, Jazzwise, February 2012
Sathima Bea Benjamin ought to share company with the likes of Sarah Vaughan, Billie Holiday, Dinah Washington, Ella Fitzgerald and Betty Carter. . . . [She] never compromis[es] her own musical vision, refusing to either remake herself into an American jazz singer or into what the world imagines to be authentically African. She is who she is, Sathima Bea Benjamin, South Africas greatest jazz singer and one of the best the world has ever known. Robin D. G. Kelley, JazzTimes
"...Landmark book...The book, grounded in the biographical recollections of veteran vo calist Sathima Bea Benjamin, tells us a great deal about the tectonic shift that has been taking place in musicology outside this country." Gwen Ansell, businessday.co.za, 17th January 2012
Musical Echoes not only introduces a very important vocalist, Sathima Bea Benjamin, to audiences who may not know of her. It also makes a great contribution to scholarship on jazz, world music, cultural theory, and the African diaspora. It challenges us to reconsider and revise the nationalist narratives that characterize much writing on jazz, and it provides a new framework for discussing the production, circulation, and transformation of musical cultures.--Farah Jasmine Griffin, author of If You Cant Be Free, Be a Mystery: In Search of Billie Holiday
"Muller, herself a white South African academic working in the US and with a family situation that includes multiple ethnicities, adoptive and otherwise, does a remarkable job in piecing together Benjamin's life, work and significance within the context of post-apartheid history, using Sarah Nuttal's recent writings on 'entanglement' for theoretical support." Brian Morton, The Wire, February 2012 "Musical Echoes, written by a white South African academic but with integral input from Benjamin herself... Muller tells the story of Benjamin - the woman deemed insufficiently commercial and insufficiently African - from teenage talent show victories to setting up the Ekapa label in the 1980s and finally being awarded the Order of Ikhamanga by President Mbeki in 2004. Yet Ibrahim has cited the loss of information as one legacy of apartheid, and the broader context - filling in those gaps - is also key to the appeal of Muller's meticulously researched book." - Murcus O'Dair, Jazzwise, February 2012 "Sathima Bea Benjamin ought to share company with the likes of Sarah Vaughan, Billie Holiday, Dinah Washington, Ella Fitzgerald and Betty Carter... [She] never compromis[es] her own musical vision, refusing to either remake herself into an 'American' jazz singer or into what the world imagines to be authentically 'African.' She is who she is, Sathima Bea Benjamin, South Africa's greatest jazz singer and one of the best the world has ever known." Robin D. G. Kelley, JazzTimes "...Landmark book...The book, grounded in the biographical recollections of veteran vo calist Sathima Bea Benjamin, tells us a great deal about the tectonic shift that has been taking place in musicology outside this country." Gwen Ansell, businessday.co.za, 17th January 2012 "Musical Echoes not only introduces a very important vocalist, Sathima Bea Benjamin, to audiences who may not know of her. It also makes a great contribution to scholarship on jazz, world music, cultural theory, and the African diaspora. It challenges us to reconsider and revise the nationalist narratives that characterize much writing on jazz, and it provides a new framework for discussing the production, circulation, and transformation of musical cultures."--Farah Jasmine Griffin, author of If You Can't Be Free, Be a Mystery: In Search of Billie Holiday
Notă biografică
Cuprins
Descriere
The life story of the outstanding jazz vocalist Sathima Bea Benjamin sheds light on South African jazz history, women in jazz, and American music as a transnational art form