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Musical Perceptions: Neuroscience

Editat de Rita Aiello, John A. Sloboda
en Limba Engleză Paperback – 1994
Musical Perceptions is a much-needed text that introduces students of both music and psychology to the study of music perception and cognition. Because the book aims to foster a closer interaction between research in the science and the art of music, both psychologists and musicians contribute
chapters on a wide range of topics, including the philosophy of music; research in musical performance; perception of melody, tonality, and rhythm; pedagogical issues; language and music; and neural networks. With their unique ability to introduce musical and psychological concepts to first-time
students in the area, Rita Aiello and John Sloboda have edited a volume that will be popular with undergraduate and graduate students taking courses in the perception, psychology, and aesthetics of music. They have prefaced each chapter with an introduction to the chapter's research. This book will
also be useful to cognitive and physiological psychologists and music theorists interested in music perception.
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Specificații

ISBN-13: 9780195064766
ISBN-10: 0195064763
Pagini: 304
Ilustrații: line figures, music examples, tables
Dimensiuni: 155 x 233 x 23 mm
Greutate: 0.47 kg
Editura: OXFORD UNIV PR
Colecția Neuroscience
Seria Neuroscience

Locul publicării:New York, United States

Descriere

Musical Perceptions is a much needed text that introduces students of both music and psychology to the study of music perception and cognition. Because the book aims to foster a closer interaction between research in the science and the art of music, both psychologists and musicians contribute chapters on a wide range of topics, including the philosophy of music; research in musical performance; perception of melody, tonality, and rhythm; pedagogicalissues; language and music; and neural networks. With their unique ability to introduce musical and psychological concepts to first-time students in the area, Rita Aiello and John Sloboda have edited a volume that will be popular with undergraduate and graduate students taking courses in the perception,psychology, and aesthetics of music. They have prefaced each chapter with an introduction to the chapter's research. This book will also be useful to cognitive and physiological psychologists and music theorists interested in music perception.

Recenzii

This excellent overview of recent research and developments in the perception and cognition of music will be valuable to graduate students and professionals in the fields of music and psychology.