Musical Witness and Holocaust Representation: Music since 1900
Autor Amy Lynn Wlodarskien Limba Engleză Paperback – 7 feb 2018
Din seria Music since 1900
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Specificații
ISBN-13: 9781107538849
ISBN-10: 110753884X
Pagini: 253
Ilustrații: 7 tables 15 music examples
Dimensiuni: 170 x 244 x 13 mm
Greutate: 0.41 kg
Editura: Cambridge University Press
Colecția Cambridge University Press
Seria Music since 1900
Locul publicării:New York, United States
ISBN-10: 110753884X
Pagini: 253
Ilustrații: 7 tables 15 music examples
Dimensiuni: 170 x 244 x 13 mm
Greutate: 0.41 kg
Editura: Cambridge University Press
Colecția Cambridge University Press
Seria Music since 1900
Locul publicării:New York, United States
Cuprins
Introduction; 1. The composer as witness: Arnold Schoenberg's A Survivor from Warsaw; 2. The philosopher as witness: Theodor Adorno's A Survivor from Warsaw; 3. The composer as witness: Hanns Eisler's Nuit et Brouillard; 4. The state as witness: Jüdische Chronik in the German Democratic Republic; 5. The composer as witness: Steve Reich's Different Trains; Epilogue.
Recenzii
'Musicologist Amy Lynn Wlodarski's debut monograph contributes a tremendous intervention to Holocaust witness, memory, and trauma studies. … The strength of this book lies in Wlodarski's generative contextualization and assessment of her archival findings (especially in the case of Reich's Different Trains), as well as her meticulous deconstruction and synthesis of vast and interdisciplinary literature collections. … Despite its deceptively compact nature, Musical Witness and Holocaust Representation is formidably detailed and persuasively delivered. It deservedly won the Lewis Lockwood Award of the American Musicological Society for most outstanding book. … With its engaging argument about the aesthetics and ethics of musical witness creations, Wlodarski's monograph provides an [indispensable] scholarly model for analyzing the artistic shocks that follow traumatic events.' Samantha M. Cooper, Musica Judaica Online Reviews
Notă biografică
Descriere
The first comprehensive study of musical Holocaust representations in the Western tradition to examine both musical language and cultural value.