Nairn's London: Penguin Modern Classics
Autor Ian Nairnen Limba Engleză Paperback – 5 noi 2014
'This book is a record of what has moved me between Uxbridge and Dagenham. My hope is that it moves you, too.'
Nairn's Londonis an idiosyncratic, poetic and intensely subjective meditation on a city and its buildings. Including railway stations, synagogues, abandoned gasworks, dock cranes, suburban gardens, East End markets, Hawksmoor churches, a Gothic cinema and twenty-seven different pubs, it is a portrait of the soul of a place, from a writer of genius.
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Specificații
ISBN-13: 9780141396156
ISBN-10: 0141396156
Pagini: 288
Dimensiuni: 111 x 181 x 17 mm
Greutate: 0.25 kg
Editura: Penguin Books
Colecția Penguin Classics
Seria Penguin Modern Classics
Locul publicării:London, United Kingdom
ISBN-10: 0141396156
Pagini: 288
Dimensiuni: 111 x 181 x 17 mm
Greutate: 0.25 kg
Editura: Penguin Books
Colecția Penguin Classics
Seria Penguin Modern Classics
Locul publicării:London, United Kingdom
Notă biografică
Ian
Nairn
(1930-1983)
was
a
hugely
influential
and
pugnacious
architectural
critic,
inventor
of
the
crushing
term
'subtopia'
and
central
to
the
growth
of
the
British
conservation
movement.
He
co-wrote
with
Nikolaus
Pevsner
theSussexvolume
in
theBuildings
of
Englandseries.
London
was
his
great
obsession
andNairn's
Londonhis
lasting
monument.
He
once
paid
his
wife
the
compliment
of
stating
that
she
'would
certainly
have
been
inNairn's
Londonhad
she
only
been
made
of
brick
or
stucco'.
Recenzii
A
masterpiece
...
Nairn
was
a
poet
...Nairn's
Londonbelongs
to
no
genre
save
its
own,
it
is
of
a
school
of
one
...
There
is
barely
a
page
which
does
not
contain
some
startling
turn
of
phrase
Once you discover him, which in my case was through my dad's copy ofNairn's London, you want to read everything he's written ... He was a literary romantic, with a poetic sensibility
He taught us how to look
One of the finest and most evocative books ever written about a city ... He could see beauty where others just saw dirt, chaos and decay. He delighted in the obscure ... it took me to wonderful buildings and unusual places I probably would not otherwise have discovered. Everything he wrote is worth rereading. During his short, furious, productive career, Ian Nairn had a more beneficial effect on the face of Britain than any other architectural writer of his time ... a great and hugely rewarding book
His attacks on the banality of Britain's postwar buildings made Ian Nairn an inspiration for a generation of architectural critics.
Arguably the finest architectural writer of the twentieth century ... vivid, sensual descriptions of buildings, a way of writing about architecture that I'd never imagined possible before ... his masterpiece ... a work of architectural criticism and architectural history of huge sophistication and erudition, a rum, bawdy and drunken dance up a back alley, a hymn to those rare moments where the individual and the collective meet
One of the best and oddest guidebooks to any city ever written
He had the gift of the potent image, making buildings and places animate or human ... anyone who cares even slightly about their surroundings should be intensely grateful ... His common themes are a passion for character, distinctiveness, contrast and surprise, for the unselfconscious and the visceral, and a matching loathing for the statistical, the phoney, the cold, the tepid, the routine, the indifferent and for what he called the "prettification" of places ... His approach was personal and visual, to capture emotional reactions in front of buildings, and record them with literate beauty
Ian Nairn taught me and a lot of us to look at the world
Once you discover him, which in my case was through my dad's copy ofNairn's London, you want to read everything he's written ... He was a literary romantic, with a poetic sensibility
He taught us how to look
One of the finest and most evocative books ever written about a city ... He could see beauty where others just saw dirt, chaos and decay. He delighted in the obscure ... it took me to wonderful buildings and unusual places I probably would not otherwise have discovered. Everything he wrote is worth rereading. During his short, furious, productive career, Ian Nairn had a more beneficial effect on the face of Britain than any other architectural writer of his time ... a great and hugely rewarding book
His attacks on the banality of Britain's postwar buildings made Ian Nairn an inspiration for a generation of architectural critics.
Arguably the finest architectural writer of the twentieth century ... vivid, sensual descriptions of buildings, a way of writing about architecture that I'd never imagined possible before ... his masterpiece ... a work of architectural criticism and architectural history of huge sophistication and erudition, a rum, bawdy and drunken dance up a back alley, a hymn to those rare moments where the individual and the collective meet
One of the best and oddest guidebooks to any city ever written
He had the gift of the potent image, making buildings and places animate or human ... anyone who cares even slightly about their surroundings should be intensely grateful ... His common themes are a passion for character, distinctiveness, contrast and surprise, for the unselfconscious and the visceral, and a matching loathing for the statistical, the phoney, the cold, the tepid, the routine, the indifferent and for what he called the "prettification" of places ... His approach was personal and visual, to capture emotional reactions in front of buildings, and record them with literate beauty
Ian Nairn taught me and a lot of us to look at the world