Narrative, Film, and Identity: How Cinema Impacts the Meaning of Life: Value Inquiry Book Series / Philosophy of Film, cartea 398
Autor William Pamerleauen Limba Engleză Hardback – 28 noi 2024
Preț: 650.22 lei
Preț vechi: 792.95 lei
-18% Nou
Puncte Express: 975
Preț estimativ în valută:
124.48€ • 128.02$ • 103.27£
124.48€ • 128.02$ • 103.27£
Carte disponibilă
Livrare economică 30 ianuarie-05 februarie
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9789004711075
ISBN-10: 9004711074
Pagini: 222
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Value Inquiry Book Series / Philosophy of Film
ISBN-10: 9004711074
Pagini: 222
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Value Inquiry Book Series / Philosophy of Film
Notă biografică
William C. Pamerleau, Ph.D., is Professor of Philosophy at the University of Pittsburgh at Greensburg. He publishes articles on a variety of philosophical topics but specializes in the philosophy of film. He is the author of Existentialist Cinema (2009).
Cuprins
Introduction
1Meaning and Narrative
1 The Narrative Self
1.1Narrative Structure
1.2Narrative Identity
2 Meaning and Narrative
3 Narrative and Meaning in Life
3.1Subjectivists and Objectivists
3.2 Meaning of Life
3.3 Meaning in Life
4 Objections to Narrative Identity
4.1The Self Is Not the Same Thing as the Narrated Life
4.2Narrative Inaccurately Describes Our Life as We Experience It
4.3The Narrative Process Distorts What Is Valuable about Life
5 Refining the Narrative Approach
6 Conclusion
2Meaning and Film
1 Spectator Activity and Film Narrative
1.1Cognitivist Spectator Theories
1.2Spectator Activity and Emotions
2 Experiencing Films as Meaningful
2.1An Experience Unaccounted for by Film Scholars
2.2The Role of Life Narratives
3 Shaping Viewer Narratives
3.1Shaping Perceptions and Sustaining Stereotypes
3.2Making More Meaningful Narratives
4 Conclusion
3Narrative Realism
1 Defining “Realism”
2 Narrative Realism
2.1A Multifaceted Approach
2.2Realism Depends on Interest
2.3Creating New Possibilities
3 Narrative Distortion
3.1Objections to Narrative Realism
3.2Defending Narrative Realism: Real Narratives and Truth
3.3Defending Narrative Realism: The Differences between Film Narratives and Life Narratives
4 Conclusion
4Meaningful Films
1 Film Viewing as Meaningful Experience
1.1The Emotion of Meaningfulness
1.2Does the Personal Nature of Life Narratives Limit Theoretical Analysis?
2 An Analysis of Meaningful Films
2.1Good Will Hunting
2.2American Beauty
2.3Winter Light
3 Conclusion
5Cinema’s Effect on Social Narratives
1 The Social Nature of Narratives
2 The Impact of Film on Social Narratives
3 A Narrative Approach to Prejudice and Discrimination in Film
3.1Schemas
3.2Selection
3.3Immersion
4 Conclusion
6Expanding Narrative Possibilities
1 Making Meaningful Narratives: Clarifying the Scope of Moral Principles
1.1Engaging Existing Moral Perspectives
1.2Effects on Agency
2 Creating New Moral Perspectives
2.1Virtue and Moral Examples
2.2Moral Examples in Fictional Narratives
3 Expanding Resources for Constructing Meaningful Identities
4 Challenging Narratives
4.1Renewal Narratives
4.2Upsetting Narrative Forms
5 Conclusion
Conclusion
Bibliography
Index
1Meaning and Narrative
1 The Narrative Self
1.1Narrative Structure
1.2Narrative Identity
2 Meaning and Narrative
3 Narrative and Meaning in Life
3.1Subjectivists and Objectivists
3.2 Meaning of Life
3.3 Meaning in Life
4 Objections to Narrative Identity
4.1The Self Is Not the Same Thing as the Narrated Life
4.2Narrative Inaccurately Describes Our Life as We Experience It
4.3The Narrative Process Distorts What Is Valuable about Life
5 Refining the Narrative Approach
6 Conclusion
2Meaning and Film
1 Spectator Activity and Film Narrative
1.1Cognitivist Spectator Theories
1.2Spectator Activity and Emotions
2 Experiencing Films as Meaningful
2.1An Experience Unaccounted for by Film Scholars
2.2The Role of Life Narratives
3 Shaping Viewer Narratives
3.1Shaping Perceptions and Sustaining Stereotypes
3.2Making More Meaningful Narratives
4 Conclusion
3Narrative Realism
1 Defining “Realism”
2 Narrative Realism
2.1A Multifaceted Approach
2.2Realism Depends on Interest
2.3Creating New Possibilities
3 Narrative Distortion
3.1Objections to Narrative Realism
3.2Defending Narrative Realism: Real Narratives and Truth
3.3Defending Narrative Realism: The Differences between Film Narratives and Life Narratives
4 Conclusion
4Meaningful Films
1 Film Viewing as Meaningful Experience
1.1The Emotion of Meaningfulness
1.2Does the Personal Nature of Life Narratives Limit Theoretical Analysis?
2 An Analysis of Meaningful Films
2.1Good Will Hunting
2.2American Beauty
2.3Winter Light
3 Conclusion
5Cinema’s Effect on Social Narratives
1 The Social Nature of Narratives
2 The Impact of Film on Social Narratives
3 A Narrative Approach to Prejudice and Discrimination in Film
3.1Schemas
3.2Selection
3.3Immersion
4 Conclusion
6Expanding Narrative Possibilities
1 Making Meaningful Narratives: Clarifying the Scope of Moral Principles
1.1Engaging Existing Moral Perspectives
1.2Effects on Agency
2 Creating New Moral Perspectives
2.1Virtue and Moral Examples
2.2Moral Examples in Fictional Narratives
3 Expanding Resources for Constructing Meaningful Identities
4 Challenging Narratives
4.1Renewal Narratives
4.2Upsetting Narrative Forms
5 Conclusion
Conclusion
Bibliography
Index