Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek 46 (1995): Beeld en zelfbeeld in de Nederlandse kunst, 1550-1750 / Image and Self-Image in Netherlandish Art, 1550-1750. Paperback Edition: Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek, cartea 46
Editat de Reindert Falkenburg, Jan de Jong, Herman Roodenburg, Frits Scholtenen Limba Engleză Paperback – 31 dec 1994
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Specificații
ISBN-13: 9789004269514
ISBN-10: 9004269517
Dimensiuni: 190 x 256 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek
ISBN-10: 9004269517
Dimensiuni: 190 x 256 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek
Cuprins
“Ten geleide”, Herman Roodenburg
“Being the Cout of Nassau: Refiguring Identity in Space, Time and Stone”, Ethan M. Kavaler
“'His Majesty's Most Majestic Room': The Division of Sovereign Identity in Philip II of Spain's Lost Portrait Gallery at El Pardo”, J. Woodall
“'Self-Imaging and the Engraver's virtù: Hendrick Goltzius's Pietà of 1598'“, Walter S. Melion
“'Eene der deftigsten dragten': The Iconography of the Tabbaard and the Sense of Tradition in Dutch Seventeenth-century Portraiture”, Marieke de Winkel
“Civic Guard Portraits: Private Interests and the Public Sphere”, Ann Jensen Adams
“Regenten in het zwart: vroom en deftig?”, Irene Groeneweg
“The Beholder as Work of Art: A Study in the Location of Value in Seventeenth-Century Flemish Painting”, Elizabeth Honig
“Jan Steen, Frans Hals, and the Edges of Portraiture”, Mariët Westermann
“'Met een wenende ziel... doch droge ogen': Women Holding Handkerchiefs in Seventeenth-Century Dutch Portraits”, Stephanie S. Dickey
“Jan Steen as Family Man: Self-Portrayal as an Experiental Mode of Painting”, H. Perry Chapman
“Young Women Preferred White to Brown: Some Remarks on Nicolaes Maes and the Cultural Context of Late Seventeenth-Century Dutch Portraiture”, Wayne Franits
“'Welstand' en 'wellevendheid'. Over houdingen, gebaren en gelaatsuitdrukking in de schilderkunst, de toneelkunst en de rhetorica: de inbreng van het classicisme, Herman Roodenburg
“Being the Cout of Nassau: Refiguring Identity in Space, Time and Stone”, Ethan M. Kavaler
“'His Majesty's Most Majestic Room': The Division of Sovereign Identity in Philip II of Spain's Lost Portrait Gallery at El Pardo”, J. Woodall
“'Self-Imaging and the Engraver's virtù: Hendrick Goltzius's Pietà of 1598'“, Walter S. Melion
“'Eene der deftigsten dragten': The Iconography of the Tabbaard and the Sense of Tradition in Dutch Seventeenth-century Portraiture”, Marieke de Winkel
“Civic Guard Portraits: Private Interests and the Public Sphere”, Ann Jensen Adams
“Regenten in het zwart: vroom en deftig?”, Irene Groeneweg
“The Beholder as Work of Art: A Study in the Location of Value in Seventeenth-Century Flemish Painting”, Elizabeth Honig
“Jan Steen, Frans Hals, and the Edges of Portraiture”, Mariët Westermann
“'Met een wenende ziel... doch droge ogen': Women Holding Handkerchiefs in Seventeenth-Century Dutch Portraits”, Stephanie S. Dickey
“Jan Steen as Family Man: Self-Portrayal as an Experiental Mode of Painting”, H. Perry Chapman
“Young Women Preferred White to Brown: Some Remarks on Nicolaes Maes and the Cultural Context of Late Seventeenth-Century Dutch Portraiture”, Wayne Franits
“'Welstand' en 'wellevendheid'. Over houdingen, gebaren en gelaatsuitdrukking in de schilderkunst, de toneelkunst en de rhetorica: de inbreng van het classicisme, Herman Roodenburg