New York`s Golden Age of Bridges
Autor Harold Holzer, Joan Marans Dimen Limba Engleză Hardback – 31 oct 2011
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Specificații
ISBN-13: 9780823240654
ISBN-10: 0823240657
Pagini: 140
Ilustrații: 56 colour illustrations
Dimensiuni: 305 x 229 x 15 mm
Greutate: 0.93 kg
Editura: Wiley
ISBN-10: 0823240657
Pagini: 140
Ilustrații: 56 colour illustrations
Dimensiuni: 305 x 229 x 15 mm
Greutate: 0.93 kg
Editura: Wiley
Recenzii
"The history of our bridges is fascinating as set forth in New York's Golden Age of Bridges by Antonio Masi and Joan Marans Dim. I've always loved the unique look of the many bridges connecting Manhattan to the other four boroughs of New York City. Now that I've been honored by having my name attached to the Queensboro Bridge, I have an even greater interest in reading the history of all the other bridges as well."-Ed Koch, former mayor of New York City"This book pays artistic tribute to the existence of great bridges--a wonderful achievement."-Gay Talese, author of A Writer's Life"For more than a century, New York's bridges have stood as expressions of our city's monumental gifts: of ingenuity, pragmatism, grit, and vision. Antonio Masi and Joan Marans Dim pay memorable tribute to these remarkable structures and the people who built them, connecting stories of immigrant sacrifice, political battles, feats of engineering, and transcendent architecture in much the same way that the bridges themselves connect the complex mosaic of New York."-John Sexton, President, New York University"Visionary engineer and inventor John A. Roebling united the great cities of New York and Brooklyn with the world's longest suspension bridge in 1883. Eight great bridges culminating with the Verrazano-Narrows Bridge in 1964 followed--each an engineering marvel that reshaped the city. Many artists have found inspiration in these majestic structures but few captured the wonders of these iconic spans as clearly as this series of paintings by Antonio Masi."-Rob Del Bagno, Manager of Exhibitions, New York Transit Museum"Antonio Masi's haunting watercolors demonstrate the eloquence of gesture and erasure. Bold in design, each picture presents a structure that is both an ideal and a ruin. By restricting his palette and layering multiple glazes, Antonio creates an atmosphere that corresponds to consciousness as it is prompted, clouded, and revised by time. As an e