No One Thing is the Root of All Anything
Autor Chelsea Coonen Limba Engleză Paperback – iul 2018
Phases and Performance of the Imminent
$15.00 - $20.00
by Chelsea Coon
Chelsea Coon's first publication No One Thing is the Root of All Anything: Phases and Performance of the Imminent describes the artist's methodological approaches in the spatial practice of performance. She examines the body as a site for potential, and asserts the probability for it to be as expansive as the universe itself. The text examines the intersection of concepts within performance and astronomy that speak of bodies in and of spaces. She establishes performance to be an expansive form of research methodology, and astronomy as a lens through which we can begin to understand our irrefutably interconnected relationship to the universe. The subtle and monumental phases of birth and death of the body mirrors that of the processes of cosmological manifestations, such as stars. Objects in the furthest corners of space can contain fragments of what is also inside life forms. This text discusses personal and expansive spaces, examines probability, scale, and duration. It affirms that the end is another place from which to start.
Preț: 75.58 lei
Nou
Puncte Express: 113
Preț estimativ în valută:
14.46€ • 15.26$ • 12.09£
14.46€ • 15.26$ • 12.09£
Carte tipărită la comandă
Livrare economică 01-15 ianuarie 25
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9781945649080
ISBN-10: 1945649089
Pagini: 196
Dimensiuni: 108 x 178 x 11 mm
Greutate: 0.16 kg
Editura: Chapter House
ISBN-10: 1945649089
Pagini: 196
Dimensiuni: 108 x 178 x 11 mm
Greutate: 0.16 kg
Editura: Chapter House
Notă biografică
Chelsea Coon is a performance artist whose work examines beginnings and endings, life and death, the internal and external, and imminence of existence; collisions of space, phases, the simultaneous speeding up and slowing down of time, cycles, and the way in which the body on an elemental level is rooted to space. She is interested in microscopic moments that usually go unnoticed, and through the utilization of duration in performances, applies a focus to them. She has performed across North America, Europe and Asia.