Nomadic New Women: Exile and Border-Crossing between Spain and the Americas, Early to Mid-Twentieth Century
Editat de Renee M. Silverman, Esther Sanchez-Pardoen Limba Engleză Hardback – 27 oct 2024
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Specificații
ISBN-13: 9783031624810
ISBN-10: 3031624815
Pagini: 304
Ilustrații: Approx. 305 p. 10 illus.
Dimensiuni: 148 x 210 mm
Greutate: 0.59 kg
Ediția:2024
Editura: Springer Nature Switzerland
Colecția Palgrave Macmillan
Locul publicării:Cham, Switzerland
ISBN-10: 3031624815
Pagini: 304
Ilustrații: Approx. 305 p. 10 illus.
Dimensiuni: 148 x 210 mm
Greutate: 0.59 kg
Ediția:2024
Editura: Springer Nature Switzerland
Colecția Palgrave Macmillan
Locul publicării:Cham, Switzerland
Cuprins
1. Introduction: Nomadic New Women: Border-Crossing and Inter-Cultural Encounter.- Section I. Women writing (in) Exile. Art, Life, Politics.- 2. Ana Eire, “The Intimacy of Distance: Homelessness and Homecoming in the Poetry of Marina Romero”.- 3. Javier Sánchez, “A Voice in the Margins: Ana María Martínez Sagi’s Poetry in Exile”.- 4.Leonor María Martínez Serrano, “Words in Space: The Exile Diary of Zenobia Camprubí”.- 5. Lisa Nalbone, “‘A Gem of Many Colors’: Articulating Migration in Isabel de Palencia’s I Must Have Liberty (1940)”.- 6. Esther Sánchez-Pardo, “María Zambrano’s Caribbean Imaginings: Philosophy from Island to Continent and Back”.- 7. Juli Highfill, “The Scene of the Firing Squad: Zambrano’s Delirium and Destiny and Goya’s Third of May”.- Section II. Border-Crossing: Displacement and Creativity.- 8. Anett K. Jessop, “Gertrude Stein Off Center in Spain (1901-1916)”.- 9. Maria Labbato, “La Americanita: Janet Riesenfeld’s Nomadic Crossings of The Spanish Civil War and Exile”.- 10. Javier Martín Párraga, “From British Sorcery to El Mundo Mágico De Los Mayas: Leonora Carrington’s Cultural Hybridity”.- Section III. New Women, New Art Forms.- 11. Aránzazu Díaz-Regañón Labajo, “How to Narrate a War: Kati Horna’s Photography during the Spanish Civil War (1936–1939). Moving Across the Real and the Symbolic”.- 12. R. Hernández-Rodríguez, “‘It’s where she belongs, isn’t it?’ Lupe Vélez and Dolores del Río in Hollywood”.- 13. Renée M. Silverman, “A Double Exile: Crossing the Female Figure in Maruja Mallo’s Art. From Spain to America”.
Notă biografică
Renée M. Silverman is Associate Professor of Spanish, Florida International University, USA. She is author of Mapping the Landscape, Remapping the Text: Spanish Poetry from Antonio Machado’s Campos de Castilla to the First AvantGarde (1909–1925) (2014), and editor/co-editor of The Popular Avant-Garde (2010) and Mediterranean Modernism: Intercultural Exchange and Aesthetic Development (2016).
Esther Sánchez-Pardo is Professor of English at Complutense University of Madrid, Spain. She is author of Cultures of the Death Drive (2003) and Mina Loy. Anthology (2009), editor of Poéticas Comparadas de Mujeres (2022), and coeditor of Women Poets and Myth in the 20th and 21st Centuries (2018) and Myth and Environmentalism (2023)
Esther Sánchez-Pardo is Professor of English at Complutense University of Madrid, Spain. She is author of Cultures of the Death Drive (2003) and Mina Loy. Anthology (2009), editor of Poéticas Comparadas de Mujeres (2022), and coeditor of Women Poets and Myth in the 20th and 21st Centuries (2018) and Myth and Environmentalism (2023)
Textul de pe ultima copertă
Nomadic New Women: Exile and Border-Crossing between Spain and the Americas, Early to Mid-Twentieth Century examines how gender and sexuality, border-crossing and exile intersect in women’s intellectual and artistic practices during the volatile historical period of the first half of the twentieth century, in and around Spain and the Americas. Each of the twelve chapters in this highly interdisciplinary volume analyzes the combined impact of gender and sexual identity, and the traversing of particular national and world-regional boundaries, on creative work. Together and separately, the contributors push the limits of past and present research on exile and migration, displacement and nomadism to reveal how the complex interrelationships among gender, sexuality, and cultural production come under intense pressure by the crossing of borders.
Renée M. Silverman is Associate Professor of Spanish, Florida International University, USA. She is author of Mapping the Landscape, Remapping the Text: Spanish Poetry from Antonio Machado’s Campos de Castilla to the First AvantGarde (1909–1925) (2014), and editor/co-editor of The Popular Avant-Garde (2010) and Mediterranean Modernism: Intercultural Exchange and Aesthetic Development (2016).
Esther Sánchez-Pardo is Professor of English at Complutense University of Madrid, Spain. She is author of Cultures of the Death Drive (2003) and Mina Loy. Anthology (2009), editor of Poéticas Comparadas de Mujeres (2022), and coeditor of Women Poets and Myth in the 20th and 21st Centuries (2018) and Myth and Environmentalism (2023)
Renée M. Silverman is Associate Professor of Spanish, Florida International University, USA. She is author of Mapping the Landscape, Remapping the Text: Spanish Poetry from Antonio Machado’s Campos de Castilla to the First AvantGarde (1909–1925) (2014), and editor/co-editor of The Popular Avant-Garde (2010) and Mediterranean Modernism: Intercultural Exchange and Aesthetic Development (2016).
Esther Sánchez-Pardo is Professor of English at Complutense University of Madrid, Spain. She is author of Cultures of the Death Drive (2003) and Mina Loy. Anthology (2009), editor of Poéticas Comparadas de Mujeres (2022), and coeditor of Women Poets and Myth in the 20th and 21st Centuries (2018) and Myth and Environmentalism (2023)
Caracteristici
Shows how women migrating can bring new art forms Fits with interdisciplinary themes of exiles, refugees, migration International/comparative history, with one editor in Spain the other in the US