Not a Clue: A Novel
Autor Chloé Delaume Traducere de Dawn M. Cornelioen Limba Engleză Paperback – 30 noi 2018
In this life-size game of Clue, six psychiatric patients in Paris’s Saint Anne’s Hospital are suspects in the murder of Dr. Black. Though Not a Clue tells the stories of these possible assassins, their lives, and what has brought them to the hospital, the true focus of Chloé Delaume’s intense and tumultuous novel is not merely to discover the identity of the murderer. Rather, by cleverly combining humor with the day-to-day effects of life’s unrelenting compromises, Not a Clue is an astute commentary on the current state of literary production and consumption.
Masterfully juggling an omniscient narratrix, an accusing murder victim, at least six possible suspects as well as their psychiatrists, and a writer who intervenes by refusing to intervene, Delaume uses the characters, weapons, and rooms of the board game Clue to challenge—sometimes violently, sometimes playfully—the norms of typography, syntax, and narrative conventions.
Masterfully juggling an omniscient narratrix, an accusing murder victim, at least six possible suspects as well as their psychiatrists, and a writer who intervenes by refusing to intervene, Delaume uses the characters, weapons, and rooms of the board game Clue to challenge—sometimes violently, sometimes playfully—the norms of typography, syntax, and narrative conventions.
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Specificații
ISBN-13: 9781496200891
ISBN-10: 1496200896
Pagini: 246
Ilustrații: 1 illustration, 1 table
Dimensiuni: 140 x 216 x 110 mm
Greutate: 0.31 kg
Editura: Nebraska
Colecția University of Nebraska Press
Locul publicării:United States
ISBN-10: 1496200896
Pagini: 246
Ilustrații: 1 illustration, 1 table
Dimensiuni: 140 x 216 x 110 mm
Greutate: 0.31 kg
Editura: Nebraska
Colecția University of Nebraska Press
Locul publicării:United States
Notă biografică
Chloé Delaume is an award-winning French novelist. Among the more than twenty texts she has published since 2000, her second novel, Le Cri du sablier, was awarded the Prix Décembre in 2001. Dawn M. Cornelio is a professor at the University of Guelph in Canada. Her work has appeared in Contemporary French and Francophone Studies, Women in French Studies, and elsewhere.
Cuprins
Introduction by Dawn M. Cornelio
Studio
First Officer
Miss Scarlet
Miss Scarlet in the Kitchen
Miss Scarlet in the Kitchen with the Monkey Wrench
Study (Reload)
Professor Plum
Professor Plum in the Ballroom
Professor Plum in the Ballroom with the Candlestick
Second Officer
Gardens
Mrs. White
Mrs. White in the Lounge
Mrs. White in the Lounge with the Lead Pipe
Hall
Third Officer
Dining Room
Fourth Officer
Colonel Mustard
Colonel Mustard in the Billiard Room
Colonel Mustard in Billiard Room with the Revolver
Passageway(s)
Fifth Officer
Mrs. Peacock
Mrs. Peacock in the Library
Mrs. Peacock in the Library with the Rope
Swamp
Sixth Officer
Mr. Green
Mr. Green in the Conservatory
Endgame
Studio
First Officer
Miss Scarlet
Miss Scarlet in the Kitchen
Miss Scarlet in the Kitchen with the Monkey Wrench
Study (Reload)
Professor Plum
Professor Plum in the Ballroom
Professor Plum in the Ballroom with the Candlestick
Second Officer
Gardens
Mrs. White
Mrs. White in the Lounge
Mrs. White in the Lounge with the Lead Pipe
Hall
Third Officer
Dining Room
Fourth Officer
Colonel Mustard
Colonel Mustard in the Billiard Room
Colonel Mustard in Billiard Room with the Revolver
Passageway(s)
Fifth Officer
Mrs. Peacock
Mrs. Peacock in the Library
Mrs. Peacock in the Library with the Rope
Swamp
Sixth Officer
Mr. Green
Mr. Green in the Conservatory
Endgame
Recenzii
Praise for the original French edition
“Like a lace maker, [Delaume] stitches together words, tears apart adjectives, tugs on adjectives, swells with parenthetical asides, and drenches her prose with equal doses of references to mythology as to pop songs.”—Émilie Grangeray, Le Monde
“With dazzling virtuosity, with its pirouettes, winks, and dizzying mirrored reflections, the final third of the novel in particular brings to mind both baroque esthetics and The Lady from Shanghai’s hall of mirrors. The whole thing is as exhilarating as it is moving.”—Catherine Henry, Benzine Magazine
“Like a lace maker, [Delaume] stitches together words, tears apart adjectives, tugs on adjectives, swells with parenthetical asides, and drenches her prose with equal doses of references to mythology as to pop songs.”—Émilie Grangeray, Le Monde
“With dazzling virtuosity, with its pirouettes, winks, and dizzying mirrored reflections, the final third of the novel in particular brings to mind both baroque esthetics and The Lady from Shanghai’s hall of mirrors. The whole thing is as exhilarating as it is moving.”—Catherine Henry, Benzine Magazine