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Notorious Facts: Publicity in Romantic England, 1780–1830

Autor James Mulvihill
en Limba Engleză Paperback – 16 noi 2011 – vârsta ani
Notorious Facts examines the sensationalistic confounding of persons and principles in the public life of Romantic England (1780–1830). Its purview is limited to five decades straddling the late eighteenth and early nineteenth centuries, but its trajectory, moving from a politics rendered in personal terms to a politics of personality, describes a shift still in process today. The study’s chapters draw on a motley body of literature (pamphlets, secret histories, and the like) that at first glance seems uncharacteristic of what literary historians call the English Romantic period. Viewed in the context of something called late Georgian England, these texts seem more indigenous, but if the canonical revisionism of the last few decades should teach us anything, it is that a Romanticism encompassing all romanticisms ideally excludes nothing.
In its heroic Enlightenment sense, publicity is concerned with exposing the workings of power for all to see. A good deal may be inferred about publicity in Romantic England from primary texts in which this salutary function is at once espoused and subverted. These texts—the mostly nameless or pseudonymous authors of the age’s pamphlet literature are the heroes and villains of the piece—almost invariably claim to speak from a disinterested conception of publicity while putting its methods of critical exposure to wholly self-interested purposes. This study examines well-known authors of the period like Jeremy Bentham, Samuel Taylor Coleridge, and William Hazlitt, as well as pamphleteers like John Horne Tooke, Philip Withers, and Nathaniel Jefferys. Other figures include authors of secret history like Thomas Ashe, Mary Anne Clarke, Lewis Goldsmith, and Joseph Haslewood in addition to notorious figures in their own right such as the Prince and Princess of Wales, Mrs. Fitzherbert, and the Reverend Edward Irving. Among the topics treated are treasonous libel, royal scandal, secret history, and celebrity.

Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
 
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Specificații

ISBN-13: 9781644531099
ISBN-10: 1644531097
Pagini: 226
Ilustrații: 4 Illustrations
Dimensiuni: 152 x 229 x 15 mm
Greutate: 0.34 kg
Editura: University of Delaware Press
Colecția University of Delaware Press

Notă biografică

James Mulvihill is Professor Emeritus of English and Film Studies at the University of Alberta

Cuprins

Libelous truths : power and publicity
Three English perspectives
An essay on the evils of scandal, slander, and misrepresentation
Jeremy Bentham : "An essay on political tactics"
Samuel Taylor Coleridge : the friend
Three pamphlet controversies
Secret influence, public ruin!
Matter of fact for the multitude
A few cursory remarks upon the state of parties
English libel law: the King v. John and Leigh Hunt
Regal obsessions: scandal and the Prince of Wales
Men versus measures
The Fitzherbert affair
John Horne Tooke: a letter to a friend
Philip Withers and the Alfred pamphlets
The Jefferys affair
The delicate investigation
Nathaniel Jefferys: a review of the conduct of the Prince of Wales
Secret histories: the popular idiom of exposure secret history and publicity
Royal revelations
Thomas Ashe: the spirit of "the book"
Mary Anne Clarke: Minutes of evidence and The rival princes
Napoleonic disclosures
The exposé, or, Napoleon Buonaparte unmasked (1809)
The secret history of the cabinet of Bonaparte (1810)
Historic doubts relative to Napoleon Buonaparte (1819)
Green room exposés
Joseph Haslewood, The secret history of the green-room
Edwin versus McCready
Celebrity turns: William Hazlitt and the Reverend Edward Irving
William Hazlitt
"Whether actors ought to sit in the boxes"
Liber amoris
The spirit of the age
Edward Irving
Hazlitt on Irving
Ministry and media
Dangerous preaching
Afterword

Descriere

Notorious Facts examines the sensationalistic confounding of persons and principles in the public life of Romantic England (1780–1830). Its purview is limited to five decades straddling the late eighteenth and early nineteenth centuries, but its trajectory, moving from a politics rendered in personal terms to a politics of personality, describes a shift still in process today. The study’s chapters draw on a motley body of literature (pamphlets, secret histories, and the like) that at first glance seems uncharacteristic of what literary historians call the English Romantic period.