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O Lady, Speak Again

Autor Dayna Patterson
en Limba Engleză Paperback – 12 feb 2023 – vârsta ani
The witchy, spell-soaked poems in Patterson’s second collection explore female characters from Shakespeare’s plays—with a feminist twist. The collection grapples with women’s roles in Shakespeare and in Mormon culture, both heavily influenced by patriarchal structures that often silence marginalized voices. If you’re not well-versed in Shakespeare or Mormonism, don’t worry—these poems will delight and enchant you with their own deep magic, their tremendous power, their singing.

In these pages you’ll meet Cordelia, third wife of polygamous Lear. You’ll meet Miranda, sailing away from her father and his faith. You’ll encounter Ophelia, who enters an amphibious torpor when buried, and is reborn as forest ecologist, far from her father’s ghost. Lady Macbeth and the weird sisters get a retrial, and Juliet finds her way to a different ending. Shadowy goddesses like Hecate, mother of witches, are invoked and act within these pages. Rosalind from As You Like It is given the final word. These poems delve into faith crisis, queerness, abandonment, transgressive power, rebirth, and dream. Prepare to be entranced.
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Specificații

ISBN-13: 9781560854647
ISBN-10: 1560854642
Pagini: 124
Dimensiuni: 152 x 229 x 13 mm
Greutate: 0.11 kg
Ediția:First Edition
Editura: SIGNATURE BOOKS INC
Colecția Signature Books

Recenzii

"Truly a triumph, this collection is a soaring, seething, singing achievement of poetic excellence. In, O Lady, Speak Again, Dayna Patterson gives us meticulously crafted poems without sacrificing a single breath of emotional dynamism. In the voices of Shakespeare’s lady characters, Patterson deftly evokes the depth and complexity of responses to the burdens and griefs of being a woman held in the confines of a patriarchal society, governed by an all-male religious hierarchy. These poems are both haunting and soothing in their questions and their graceful, ladylike rage.” —Rena Priest, Washington State Poet Laureate (2021–2023) 

"What do you get when you blend Shakespeare’s canon of female characters with an already-­steaming brew of the personal and culturalisms of Mormondom? O Lady, Speak Again is a love song to feminine power and artistry—power both practical and metaphysical, emergent and handed-down. Patterson repurposes with such insight that it feels like sorcery: a sprinkle of weird enlivens the familiar with mystery, and a dash of familiar grants us access to the strange.” —Nano Taggart, editor, Sugar House Review

"O Lady, Speak Again does its work in a glory, a tumble, then a flood, of characters, versions, and voicings. The beginning poem ‘Dramatis Personae,’ which limns the territory and the method of the collection, shows us that the urgent appeal of the title—that the Lady (mother, goddess, enchantress, witch) must speak from the parched silence to which she has been consigned—requires an upending to be fulfilled: that the world, to be made fecund, musical, brilliant again, must receive ‘a blue deluge’ of the Lady’s voice. The speakers of the poems inhabit gorgeous languages and a multitude of stories, many drawn from Shakespeare; Dayna Patterson embroiders the lacunae in her sources and insists on retellings and revisions in this miracle of a book. In a way, like Prospero in The Tempest, Patterson orchestrates madness, terror, and catastrophic loss, into reconciliation, claiming that power as her own deep, decidedly female, and restorative, magic.” —Lisa Orme Bickmore, Utah Poet Laureate

Notă biografică

Dayna Patterson is a photographer, textile artist, and irreverent bardophile. She’s the author of Titania in Yellow (Porkbelly Press, 2019) and If Mother Braids a Waterfall (Signature Books, 2020). Honors include the Association for Mormon Letters Poetry Award and the 2019 #DignityNotDetention Poetry Prize judged by Ilya Kaminsky. Her creative work has appeared in EcoTheo, Kenyon Review, and Poetry. She’s the founding editor (now emerita) of Psaltery & Lyre and a co-editor of Dove Song: Heavenly Mother in Mormon Poetry. She lives with her husband and two daughters in a little patch of forest in the Pacific Northwest. 

Cuprins

Dramatis Personae 
Thunder. Enter the three WITCHES meeting HECATE 
I
Self-Portrait as Miranda after Shipwreck 
O is the Sound of Tragedy 
In this version

Self-Portrait as Cordelia, Mormon Polygamous Wife
And Why Not Change the Story? 
Self-Portrait as Miranda, A Green Girl 
Anagnorisis—in the Green Room 
Self-Portrait of Isabella as Mormon Middle Child 
Self-Portrait as Isabella in Theophilic Ecstasy 
Self-Portrait as Ophelia in 33 Hues of Blewe 
Self-Portrait as Jessica with Phoropter and Ursa Minor 
Self-Portrait of Jessica as Mormon Meeting House, Repurposed 
Self-Portrait as Miranda, Reminiscent 
II
Hermione in Prison 
Self-Portrait of Perdita as Lost I 
Hermione’s Blue Beasts 
Self-Portrait as Perdita with Derelict Ferris Wheel 
Hermione as Phantom Limn 
Self-Portrait as Perdita in 33 Washes of Purple 
Hermione’s Statue 
Self-Portrait as Perdita, Reperta 
III
After the Curtain Falls, Isabella Speaks in Achromatics 
This poem wants to be an ode 
Self-Portrait as Bottom, Beloved 
Gertrude on artum nuptias 
Self-Portrait as Viola and Olivia in the Gloaming 
Self-Portrait as Titania, Spellbound 
Ode to the Plural Marriage of My Mother, Nan Page, Merry Wife, in Five Acts 
Self-Portrait as Portia and Jessica at the Witching Hour 
Self-Portrait as Miranda with Xenophilia and Apostasy 
IV
Thunder and lightning. Enter three WITCHES 
Gertrude on artis bene moriendi 
Self-Portrait as Lady Macbeth in 30 Shades of Red 
Incarnadine 
Self-Portrait as Juliet’s Nurse with Betta splendens and Pulsar 
Ode to Lady Macbeth 
Ode to Paulina

Hermione, Shapeshifter 
Juliet Ode 
Red-Handed 
Ophelia, Amphibian 
V
Titania in Hypnopompic Bower 
Self-Portrait as Titania with Cupid’s Flower and Changeling 
Titania’s Adoption Papers 
ab ovo 
Self-Portrait as Titania with Newborn Animus 
How Not to Bring Down the Flowers 
usque ad mala 
Gertrude on arte materna 
Titania in Yellow 
How to Give Birth to Words 
Anagnorisis—on the Playhouse Mainstage 
Watching The Merry Wives of Windsor with My Girls 
Hecate, as you did for Demeter, do 
Epilogue—Rosalind with Topophilia and Heresy 
Notes 
Acknowledgments 

Descriere

The witchy, spell-soaked poems in Patterson’s second collection explore female characters from Shakespeare’s plays—with a feminist twist. The collection grapples with women’s roles in Shakespeare and in Mormon culture, both heavily influenced by patriarchal structures that often silence marginalized voices. If you’re not well-versed in Shakespeare or Mormonism, don’t worry—these poems will delight and enchant you with their own deep magic, their tremendous power, their singing.

In these pages you’ll meet Cordelia, third wife of polygamous Lear. You’ll meet Miranda, sailing away from her father and his faith. You’ll encounter Ophelia, who enters an amphibious torpor when buried, and is reborn as forest ecologist, far from her father’s ghost. Lady Macbeth and the weird sisters get a retrial, and Juliet finds her way to a different ending. Shadowy goddesses like Hecate, mother of witches, are invoked and act within these pages. Rosalind from As You Like It is given the final word. These poems delve into faith crisis, queerness, abandonment, transgressive power, rebirth, and dream. Prepare to be entranced.