Cantitate/Preț
Produs

Off the Record: The Technology and Culture of Sound Recording in America

Autor Professor David Morton
en Limba Engleză Paperback – dec 1999
David L. Morton examines the process of invention, innovation, and diffusion of communications technology, using the history of sound recording as the focus. Off the Record demonstrates how the history of both the hardware and the ways people used it is essential for understanding why any particular technology became a fixture in everyday life or faded into obscurity. Morton’s approach to the topic differs from most previous works, which have examined the technology’s social impact, but not the reasons for its existence. Recording culture in America emerged, Morton writes, not through the dictates of the technology itself but in complex ways that were contingent upon the actions of users.
Each of the case studies in the book emphasizes one of five aspects of the culture of recording and its relationship to new technology, at the same time telling the story of sound recording history. One of the misconceptions that Morton hopes to dispel is that the only important category of sound recording involves music. Unique in his broad-based approach to sound technology, the five case studies that Morton investigates are :     
  • The phonograph record
  • Recording in the radio business
  • The dictation machine
  • The telephone answering machine, and
  • Home taping
Readers will learn, for example, that the equipment to create the telephone answering machine has been around for a century, but that the ownership and use of answering machines was a hotly contested issue in the telephone industry at the turn of the century, hence stifling its commercial development for decades. Morton also offers fascinating insight into early radio: that, while The Amos and Andy Show initially was pre-recorded and not broadcast live, the commercial stations saw this easily distributed program as an economic threat: many non-network stations could buy the disks for easy, relatively inexpensive replaying. As a result, Amos and Andy was sold to Mutual and went live shortly afterward.
 
Citește tot Restrânge

Preț: 31497 lei

Nou

Puncte Express: 472

Preț estimativ în valută:
6028 6255$ 5038£

Carte tipărită la comandă

Livrare economică 15-29 martie

Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9780813527475
ISBN-10: 0813527473
Pagini: 240
Ilustrații: 37 photos
Dimensiuni: 152 x 229 x 18 mm
Greutate: 0.37 kg
Ediția:None
Editura: Rutgers University Press
Colecția Rutgers University Press

Notă biografică

DAVID MORTON is research historian for the IEEE History Center at Rutgers University.

Cuprins

Introduction
High culture, high fidelity, and the making of recordings in the American record industry
The end of the "canned music" debate in American broadcasting
"Girls or machine?": gender, labor, office dictation, and the failure of recording culture
The message on the answering machine: recording and interpersonal communication
The tape recorder, home entertainment, and the roots of American recording culture

Recenzii

Off the Record is a novel and exciting look at the relationship of technology and culture in an area which touches our everyday lives. 
The most fascinating aspect of Off the Record involves tracing the complex paths by which devices that are now commonplace originally came into being, gained markets, and slowly evolved. Each chapter is filled with brave hopes, false starts, mistaken social assumptions, and solutions that were almost, but not quite, right. Morton does a fine job of demonstrating multiple contingencies in the by-no-means-certain evolution of now-familiar technologies.

Descriere

David L. Morton examines the process of invention, innovation, and diffusion of communications technology, using the history of sound recording as the focus. Off the Record demonstrates how the history of both the hardware and the ways people used it is essential for understanding why any particular technology became a fixture in everyday life or faded into obscurity. Morton’s approach to the topic differs from most previous works, which have examined the technology’s social impact, but not the reasons for its existence. Recording culture in America emerged, Morton writes, not through the dictates of the technology itself but in complex ways that were contingent upon the actions of users.