On Acting: A Handbook for Today's Unique American Actor
Autor Steven Breeseen Limba Engleză Paperback – 15 ian 2013
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Specificații
ISBN-13: 9781585104550
ISBN-10: 1585104558
Pagini: 268
Ilustrații: photos and diagrams
Dimensiuni: 6 x 228 x 27 mm
Greutate: 0.53 kg
Editura: Hackett Publishing Company
Colecția Hackett Publishing Company, Inc.
ISBN-10: 1585104558
Pagini: 268
Ilustrații: photos and diagrams
Dimensiuni: 6 x 228 x 27 mm
Greutate: 0.53 kg
Editura: Hackett Publishing Company
Colecția Hackett Publishing Company, Inc.
Recenzii
"It's about time this rational, actor-centric, and systematic approach to acting theory was made widely available to the many young (and old) artists who haven't had the benefit of learning from Steven Breese directly." -- Danny Devlin, Professional Actor/Former Student
"I believe I have already mentioned many of the strong points. Yes, I would definitely like to use this book in Acting II and maybe in Acting I. It is a book that is similar enough to satisfy those professors who like a very traditional approach to training, yet different enough to add excitement to the training process with professional examples and great exercises." -- James R Hartman, Schoolcraft College
"Strongest element is the exercises. Easy to follow and to visualize. I would recommend this text as supplemental reading." -- Bette Pettigrew, Johnson County Community College
"As an educator and director for the past 40+ years, I highly recommend 'On Acting' -- Steven's writing style is totally engaging, informative, and thought provoking. He speaks from experience and experiences, exemplified by personal anecdotes, classroom examples, asides, quotes, delightful humor and just the right amount of humility. It all works. No matter what your level of theatrical expertise, this book is for you." -- Catherine Davis, Professional Director & Educator
"I can already say that 'On Acting' should be required reading for any actor or anyone who teaches acting. It is beautifully and interestingly written. It gives due reverence to the art and craft of acting without being pompous or pretentious. And a quick scan of the sections on process and technique tells me that following your "method" will turn out actors who really are 'actors'." -- Ron Reid, Professional Actor
"I believe I have already mentioned many of the strong points. Yes, I would definitely like to use this book in Acting II and maybe in Acting I. It is a book that is similar enough to satisfy those professors who like a very traditional approach to training, yet different enough to add excitement to the training process with professional examples and great exercises." -- James R Hartman, Schoolcraft College
"Strongest element is the exercises. Easy to follow and to visualize. I would recommend this text as supplemental reading." -- Bette Pettigrew, Johnson County Community College
"As an educator and director for the past 40+ years, I highly recommend 'On Acting' -- Steven's writing style is totally engaging, informative, and thought provoking. He speaks from experience and experiences, exemplified by personal anecdotes, classroom examples, asides, quotes, delightful humor and just the right amount of humility. It all works. No matter what your level of theatrical expertise, this book is for you." -- Catherine Davis, Professional Director & Educator
"I can already say that 'On Acting' should be required reading for any actor or anyone who teaches acting. It is beautifully and interestingly written. It gives due reverence to the art and craft of acting without being pompous or pretentious. And a quick scan of the sections on process and technique tells me that following your "method" will turn out actors who really are 'actors'." -- Ron Reid, Professional Actor
Cuprins
Table of Contents Before We Get Started xi Acknowledgment xiv Forward xv ACT I: The Actor's Work Lesson 1: On Being an Actor 1 Since Stanislavski 3 Historical Perspective Taking Ownership Living Truthfully in Imaginary Circumstances 6 Characteristics and Meanings Points of View Interactions Being Alive Public Anxiety Divide and Release Thinking like an Actor 14 Shifting Into Reverse Reflection, Curiosity and Aesthetic Summary: Lesson 1 17 Activities and Exercises: Journal 18 Lesson 2: On Beginning 21 The Beginners Mind 22 Five Assumptions The Necessity of Failure The Naked Truth 25 Scene by Scene Magic in the Making Stuff that's in Our Way Zero 32 Finding Zero Using Zero "Just Say the Words" 34 Summary: Lesson 2 35 Activities and Exercises: Present Tense,Image and Text, Finding Zero 36 Lesson 3: On Action 41 Making Human Beings 41 What Do You Want? 43 Say It / Play It 45 Tactics Actions Common Playable Actions Point of Impact 50 What is at Stake? The Action Cycle 52 The Sensation of Acting 53 Summary: Lesson 3 54 Activities and Exercises: Improving Action 55 Lesson 4: On Obstacle 59 The Essential Struggle 59 Essential Elements Without and Within 60 Those Without Those Within About-Face the Fear 62 Summary: Lesson 4 62 Activities and Exercises: The Jump 63 Lesson 5: On Public Isolation 65 Intimate Strangers 65 Concentration 66 Split Concentration 68 Summary: Lesson 5 69 Activities and Exercises: Mirror Exercise, One-Word Sentences, Entrance/Exit 69 Lesson 6: On Judgment (and Risk) 73 Just Do, Don't Judge 73 Self-Censorship Risk It Should Cost You Something 75 Ready, Render, Reflect, Repeat The Magic "AND" 76 "The Best Day of the Year" 77 Summary: Lesson 6 78 Activities and Exercises: Sense Recalls 79 Lesson 7: On Intimacy 83 The Morning After 83 The Sensuality of the Process 84 What We See What We Hear Inner Monologue What We Smell and Taste What We Touch One Kiss, Many Parts 86 Relationship and Backstory Obstacle and Risk Mystery Anticipation and 1000% Listening Decision Emotional Arc Checking In "Sterling Was Never the Same" 92 Summary: Lesson 7 92 Activities and Exercises: Sense and Sensation 93 Lesson 8: On Emotion 95 Emotion and Acting 96 Using Emotion Tying Emotion to Action 98 Vulnerability 99 Accepting Offers Summary: Lesson 8 101 Activities and Exercises: Offer/Acceptance, Emotional Recalls 101 Lesson 9: On Repetition 103 Do It 100 Times 103 Process of Building a Scene 105 Read-through Memorize Lines / Own the Words Five Scene Study Questions Putting the Scene On its Feet Stage Directions The Four "Rs" Now Do it the First Time 111 Summary: Lesson 9 112 Activities and Exercise 113 Lesson 10: On Improvement 115 The Big Secret 115 Breakthroughs and Little Steps Stagnation and Patience Are You Trying? 118 Much Ado About the Word 118 Summary: Lesson 10 119 Activities: Stop Trying 120 ACT II: The Actor's Toolbox Lesson 11: On Script Analysis 123 Dramatic Construction 124 Crisis Getting Basic 126 What Is? What Probably Is? What Might, Could or May be? What's Missing? What Do You Want Overall? Getting Specific 129 Scene's Given Circumstances What's the Episode? Starting in the Middle Characters and Relationships What's New? Discoveries, Changes and Decisions Change in Relationship Change that Drive Decisions Breaking Down the Scene 133 Beats and Beat Change Dominant Tactics/Beats Score the Scene Putting it Together 137 Summary: Lesson 11 139 Activities and Further Study 139 Lesson 12: On Movement 141 Strength 142 Thoughts on Dance Flexibility 144 The Spine The Cat The Serpent The Question Mark Rolling and Stacking Rotation Side (Obliques) Relaxation 149 The Center Control 151 Specificity, Economy of Movement and Character Traits Posture Stylized Movement, Period Movement and Dance Stage Violence and Combat Freedom 155 Summary: Lesson 12 156 Activities and Further Study: Actor's Physical Warm-up 157 Lesson 13: On Stillness 161 Vibrancy Inside 161 Internal Focus 162 Summary: Lesson 13 163 Activities and Further Study 163 Lesson 14: On Voice and Speech 165 Breath and Breathing 166 Releasing Sound 167 Pitch and Resonance 168 Language 169 Diction and Articulation 171 Voiced vs. Unvoiced Stops, Fricatives, Approximates, Affricates and Laterals Unity of Voice and Body 175 Shaping Language Onstage 175 Playing With Language Practical Measures Checklist to Assist Use of Voice and Text A Few Notes on Singing 178 Summary: Lesson 14 179 Activities and Further Study 179 Lesson 15: On Character 181 Asking the Right Questions 182 What Did the Playwright Write? What is Required Physically? Social, Educational and Economic Status Psychological and Moral Outlook Dominant Tactic Core Value(s) Ownership 186 Falling in Love Character vs. Characteristics 188 Variety 188 Summary: Lesson 15 189 Activities and Further Study: Exercise: Fantasy Recalls 189 Lesson 16: On Stuff 191 Stuff in Our Hands 192 Helping to Define Character Hand Props as Stage Business Creative Opportunities Stuff on the Stage 195 Stuff We Wear 196 Research Discussions Wearing What When? How You Wear It Summary: Lesson 16 197 Activities and Further Study 198 Lesson 17: On Rehearsal 201 First Rehearsal 203 The Actor's Job 203 Blocking Scene Work/Scene Rehearsal Work-Through/Run-Through Designer Run-Through Technical rehearsals and Cue-To-Cue Dress Rehearsals. Completion 207 Summary: Lesson 17 208 Lesson 18: On Vocabulary / Glossary of Terms 209 Lesson 19: On the Future 221 Appendix A: "Run. Run. Run Away." A short play by Steven Breese 225 Appendix B: Scene score for "Run. Run. Run Away." 245 Bibliography 251