On the Town: One Hundred Years of Spectacle in Times Square
Autor Marshall Bermanen Limba Engleză Paperback – 31 aug 2009
Preț: 169.09 lei
Nou
Puncte Express: 254
Preț estimativ în valută:
32.36€ • 33.38$ • 27.39£
32.36€ • 33.38$ • 27.39£
Carte disponibilă
Livrare economică 12-26 februarie
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9781844673971
ISBN-10: 1844673979
Pagini: 264
Dimensiuni: 137 x 206 x 25 mm
Greutate: 0.39 kg
Ediția:0002
Editura: VERSO
Locul publicării:United Kingdom
ISBN-10: 1844673979
Pagini: 264
Dimensiuni: 137 x 206 x 25 mm
Greutate: 0.39 kg
Ediția:0002
Editura: VERSO
Locul publicării:United Kingdom
Notă biografică
Marshall Berman is Distinguished Professor of Political Science at City College of New York and CCNY Graduate Center, where he teaches political theory and urban studies. He writes frequently for The Nation and The Village Voice, and serves on the editorial board of Dissent. He is the author of The Politics of Authenticity; All That Is Solid Melts into Air; and On the Town.
Recenzii
“Berman’s latest—and perhaps best—book chronicles the storied incandescence of Times Square ... Brilliant indeed.”—Booklist, Starred Review
“Like the square itself, the choreographer of this neon Leaves of Grass is a hybrid of styles and genres, of page, stage, screen, and jazz. He is up in the air, like Ruby Keeler on top of a taxi. He is dancing in the street, with Martha and the Vandellas. A Pied Piper, Johnny Appleseed, and Sergeant Pepper, he leads us into movie houses, libraries, juke joints, temptation, and transcendence ... the fact is, I can no longer see Times Square on my own. I am looking at some splendid magical-realist Macondo from inside the head of a man with kaleidoscope eyes.”—John Leonard, New York Magazine
“Like the square itself, the choreographer of this neon Leaves of Grass is a hybrid of styles and genres, of page, stage, screen, and jazz. He is up in the air, like Ruby Keeler on top of a taxi. He is dancing in the street, with Martha and the Vandellas. A Pied Piper, Johnny Appleseed, and Sergeant Pepper, he leads us into movie houses, libraries, juke joints, temptation, and transcendence ... the fact is, I can no longer see Times Square on my own. I am looking at some splendid magical-realist Macondo from inside the head of a man with kaleidoscope eyes.”—John Leonard, New York Magazine