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Original Copies in Georges Perec and Andy Warhol: Faux Titre, cartea 413

Autor Priya Wadhera
en Limba Engleză Hardback – 7 dec 2016
Priya Wadhera’s Original Copies in Georges Perec and Andy Warhol is the first book to explore striking similarities between the works of these celebrated figures of the twentieth century. Copies abound in Perec’s œuvre, where pastiches, paintings, and intertexts dialogue with the history of copying in the past and present, in literature and in art. Both here and in Warhol’s works, the source of the copies is difficult to pinpoint, shrouded in a fog linked to death. This remarkable parallel provides insight into their widely-admired works and a postmodern aesthetic where the original is stripped of its value and the copy reigns supreme. In this study of the original and the copy, Wadhera illuminates the nature of art itself.
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Specificații

ISBN-13: 9789004326170
ISBN-10: 9004326170
Pagini: 204
Dimensiuni: 155 x 235 x 19 mm
Greutate: 0.43 kg
Editura: Brill
Colecția Brill
Seria Faux Titre


Cuprins

Acknowledgments

1. Introduction

I. The Copy as Imitation and Enumeration in Perec
2. Copious Beginnings
2.1 The incipit of Un cabinet d’amateur (1979)
2.2 Defining the Copy
2.3Original and Copy
2.4 Mimesis
2.5 Copy as copia
3. Copying in Literature
3.1Literature in the Age of the Scribe
3.2 Literature in the Age of Mechanical Reproduction
4. Perec and His Copies
4.1 Copying in Cabinet
4.2 Copies in Cabinet: A Brief Typology

II. Pastiches
5. Cabinet as Pastiche
6. The Kunstkammer in History and in Cabinet
7. The Discourse on Authentication

III. Paintings
8. Copying in Painting
8.1 The tradition of the Painter-Apprentice
8.2 Fakes, Forgeries, and Citations
9. Painting in Cabinet
10. Trompe-l’œil and L’Œil ébloui (1981)
11. From One Canvas to Another

IV. Intertexts
12. Intertextuality in Cabinet
13. An Immediate Intratextual Source: La Vie mode d’emploi (1978)
14. An Intertextual Reference: Pierre Grassou by Balzac (1839)
15. An Early Intratextual Source: Le Condottière (1957-60)
16. To Copy Is to Create: Menard’s “Copy”
17. The Copy in Warhol: Imitation, Enumeration, and Death

V. Conclusion
18. Copy Play in Perec and Warhol
18.1 The Copy as Original and Double
18.2 Hidden Origins: Fog and Fogging in Perec
18.3 A Memorial and a Celebration, a Forging of Life from Death

Bibliography
Index

Recenzii

"Four principal questions interest Wadhera: “what is a copy, what is copied, how is it copied, and why is it copied?” (9). Addressing those questions, she postulates a useful typology of the copy in Un cabinet d’amateur, limning three broad categories: pastiches of art history and criticism; evocations of paintings; and intertextual allusions. Devoting several chapters to each of those categories, Wadhera examines them in pleasing, rigorous detail."- Warren Motte, L'Esprit créateur, 59.1.

Notă biografică

Priya Wadhera is Associate Professor of French in the Department of Languages, Literatures and Cultures at Adelphi University in New York. She joined Adelphi after having earned her doctorate at Columbia University, where she then served as Lecturer in the Department of French and Romance Philology and Director of the Maison française.