Original Copies in Georges Perec and Andy Warhol: Faux Titre, cartea 413
Autor Priya Wadheraen Limba Engleză Hardback – 7 dec 2016
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Specificații
ISBN-13: 9789004326170
ISBN-10: 9004326170
Pagini: 204
Dimensiuni: 155 x 235 x 19 mm
Greutate: 0.43 kg
Editura: Brill
Colecția Brill
Seria Faux Titre
ISBN-10: 9004326170
Pagini: 204
Dimensiuni: 155 x 235 x 19 mm
Greutate: 0.43 kg
Editura: Brill
Colecția Brill
Seria Faux Titre
Cuprins
Acknowledgments
1. Introduction
I. The Copy as Imitation and Enumeration in Perec
2. Copious Beginnings
2.1 The incipit of Un cabinet d’amateur (1979)
2.2 Defining the Copy
2.3Original and Copy
2.4 Mimesis
2.5 Copy as copia
3. Copying in Literature
3.1Literature in the Age of the Scribe
3.2 Literature in the Age of Mechanical Reproduction
4. Perec and His Copies
4.1 Copying in Cabinet
4.2 Copies in Cabinet: A Brief Typology
II. Pastiches
5. Cabinet as Pastiche
6. The Kunstkammer in History and in Cabinet
7. The Discourse on Authentication
III. Paintings
8. Copying in Painting
8.1 The tradition of the Painter-Apprentice
8.2 Fakes, Forgeries, and Citations
9. Painting in Cabinet
10. Trompe-l’œil and L’Œil ébloui (1981)
11. From One Canvas to Another
IV. Intertexts
12. Intertextuality in Cabinet
13. An Immediate Intratextual Source: La Vie mode d’emploi (1978)
14. An Intertextual Reference: Pierre Grassou by Balzac (1839)
15. An Early Intratextual Source: Le Condottière (1957-60)
16. To Copy Is to Create: Menard’s “Copy”
17. The Copy in Warhol: Imitation, Enumeration, and Death
V. Conclusion
18. Copy Play in Perec and Warhol
18.1 The Copy as Original and Double
18.2 Hidden Origins: Fog and Fogging in Perec
18.3 A Memorial and a Celebration, a Forging of Life from Death
Bibliography
Index
1. Introduction
I. The Copy as Imitation and Enumeration in Perec
2. Copious Beginnings
2.1 The incipit of Un cabinet d’amateur (1979)
2.2 Defining the Copy
2.3Original and Copy
2.4 Mimesis
2.5 Copy as copia
3. Copying in Literature
3.1Literature in the Age of the Scribe
3.2 Literature in the Age of Mechanical Reproduction
4. Perec and His Copies
4.1 Copying in Cabinet
4.2 Copies in Cabinet: A Brief Typology
II. Pastiches
5. Cabinet as Pastiche
6. The Kunstkammer in History and in Cabinet
7. The Discourse on Authentication
III. Paintings
8. Copying in Painting
8.1 The tradition of the Painter-Apprentice
8.2 Fakes, Forgeries, and Citations
9. Painting in Cabinet
10. Trompe-l’œil and L’Œil ébloui (1981)
11. From One Canvas to Another
IV. Intertexts
12. Intertextuality in Cabinet
13. An Immediate Intratextual Source: La Vie mode d’emploi (1978)
14. An Intertextual Reference: Pierre Grassou by Balzac (1839)
15. An Early Intratextual Source: Le Condottière (1957-60)
16. To Copy Is to Create: Menard’s “Copy”
17. The Copy in Warhol: Imitation, Enumeration, and Death
V. Conclusion
18. Copy Play in Perec and Warhol
18.1 The Copy as Original and Double
18.2 Hidden Origins: Fog and Fogging in Perec
18.3 A Memorial and a Celebration, a Forging of Life from Death
Bibliography
Index
Recenzii
"Four principal questions interest Wadhera: “what is a copy, what is copied, how is it copied, and why is it copied?” (9). Addressing those questions, she postulates a useful typology of the copy in Un cabinet d’amateur, limning three broad categories: pastiches of art history and criticism; evocations of paintings; and intertextual allusions. Devoting several chapters to each of those categories, Wadhera examines them in pleasing, rigorous detail."- Warren Motte, L'Esprit créateur, 59.1.
Notă biografică
Priya Wadhera is Associate Professor of French in the Department of Languages, Literatures and Cultures at Adelphi University in New York. She joined Adelphi after having earned her doctorate at Columbia University, where she then served as Lecturer in the Department of French and Romance Philology and Director of the Maison française.