Otto Wagner, Adolf Loos, and the Road to Modern Architecture
Autor Werner Oechslin Traducere de Lynnette Widderen Limba Engleză Hardback – 3 iul 2002
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Specificații
ISBN-13: 9780521623469
ISBN-10: 0521623464
Pagini: 282
Ilustrații: 111 b/w illus.
Dimensiuni: 182 x 255 x 21 mm
Greutate: 0.75 kg
Editura: Cambridge University Press
Colecția Cambridge University Press
Locul publicării:New York, United States
ISBN-10: 0521623464
Pagini: 282
Ilustrații: 111 b/w illus.
Dimensiuni: 182 x 255 x 21 mm
Greutate: 0.75 kg
Editura: Cambridge University Press
Colecția Cambridge University Press
Locul publicării:New York, United States
Cuprins
Preface; Introduction; 1. The opposite of the issue of style: necessity, unity, immanent coherence, the naked, simple and true; 2. 'Tectonics' and the 'theory of raiment'; 3. Disenchantment with 'Bötticher's overly intellectual work' and the postulation of a way to overcome the 'Semperian mechanistic conception of the essence of art'; 4. 'Stilhülse und Kern': from theory to metaphor - and its deployment by Otto Wagner; 5. Adolf Loos - against the Zeitgeist; 6. '… ad usum Delphini' - the 'element event' of the Raiment Dissolved, and the ineluctable return - or recognized tenacity - of the Hull; Anthology of primary sources.
Recenzii
"In this collction of essays, as concise as they are broad- ranging and erudite, oechslin explored the multiple implications for modernity of two key, and co-dependent terms of 19-th century art theory, and offered an adroitly selected anthology of excerpts from architectural theories." Harvard Design Magazine
"Those interested in a narrative review of writings on architecture, presented with intensity and in detail, will be pleased with, informed by, and interested in Oechslin's offering." Centropa
"Those interested in a narrative review of writings on architecture, presented with intensity and in detail, will be pleased with, informed by, and interested in Oechslin's offering." Centropa
Descriere
This 2002 volume examines the origins of 'tectonics' as concept and ideal in early Modern architecture.