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Panoramas, 1787–1900 Vol 3: Texts and Contexts de Laurie Garrison

Panoramas, 1787–1900 Vol 3: Texts and Contexts

Autor Laurie Garrison, Anne Anderson, Sibylle Erle, Verity Hunt, Peter West, Phoebe Putnam
en Limba Engleză Hardback – dec 2012
The panorama is primarily a visual medium, but a variety of print matter mediated its viewing; adverts, reviews, handbills and a descriptive programme accompanied by an annotated key to the canvas. The short accounts, programs, reviews, articles and lectures collected here are the primary historical sources left to us.
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Specificații

ISBN-13: 9781138755864
ISBN-10: 1138755869
Pagini: 314
Dimensiuni: 156 x 234 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom

Public țintă

General

Cuprins

Panoramas, 1787–1900 Volume 3 Stable Panoramas in Britain, Part III, Panoramas at Leicester Square and the Strand: Narrative Programmes (continued) Description of a View of the City of Paris, Taken from the Place de la Concorde (1848) Description of Summer and Winter Views of the Polar Regions (1850) Description of a View of Berlin, and the Surrounding Country (1854) Description of a View of the City of Sebastopol, and the Surrounding Fortifications (1855) Stable Panoramas in Competing Venues Lyceum An Historical Sketch of the Battle of Alexandria, and of the Campaign in Egypt (1802) Egyptian Hall William Bullock, An Account of the Family of Laplanders (c. 1823) William Bullock, Catalogue of the Exhibition Called Modern Mexico (1824) Colosseum Thomas Hornor, Prospectus. View of London, and the Surrounding Country (1823) John Britton, A Brief Account of the Colosseum, in the Regent’s Park, London (1829) A Picturesque Guide to the Regent’s Park (1829) Crystal Palace, William Grist (ed.), Panorama of the Siege of Paris (1881) Editorial Notes

Notă biografică

General Editor: Laurie Garrison, Consulting Editor: Anne Anderson, Volume Editors: Volume 3 Sibylle Erle, Laurie Garrison, Verity Hunt, Phoebe Putnam

Descriere

The panorama is primarily a visual medium, but a variety of print matter mediated its viewing; adverts, reviews, handbills and a descriptive programme accompanied by an annotated key to the canvas