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Paolo Sorrentino's Cinema and Television: Trajectories of Italian Cinema and Media

Editat de Annachiara Mariani
en Limba Engleză Paperback – 27 iun 2021
With a list of critically acclaimed and award-winning films, the Naples-born director and screenwriter Paolo Sorrentino has established himself as an auteur of world renown—arguably the most successful and significant contemporary Italian filmmaker. To date, he has written and directed nine films and won an Academy Award, a BAFTA, and a Golden Globe, among others. 

This is the first English-language collection dedicated to the prolific director, who has emerged as one of the most compelling figures in twenty-first-century European cinema. International contributors—from the UK, Italy, France, the Netherlands, Australia, Israel, Canada, and the US—offer original interpretations of Sorrentino’s work in film and television. In an invaluable contribution to the existing literature, they examine Sorrentino’s recurrent grand themes, offer new perspectives and cues for discussion, and challenge established notions about the filmmaker and his career.
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Specificații

ISBN-13: 9781789383751
ISBN-10: 1789383757
Pagini: 298
Ilustrații: 50 halftones
Dimensiuni: 170 x 244 x 20 mm
Greutate: 0.54 kg
Editura: Intellect Ltd
Colecția Intellect Ltd
Seria Trajectories of Italian Cinema and Media


Notă biografică

Annachiara Mariani is assistant professor in the Department of Modern and Foreign Languages and Literatures at the University of Tennessee, Knoxville. 

Cuprins

Acknowledgments 
List of Illustrations
Foreword
Giancarlo Lombardi
Introduction: The Creative and Artistic Trajectory of Paolo Sorrentino
Annachiara Mariani
  
Part one: Examining and Deconstructing Sorrentino’s Ethos
Chapter 1: Private Pain/Public Places: Sights, Sightings, and Sounds of Nostalgia in Youth and The Young Pope
Ellen Nerenberg
Chapter 2: Against Postmodernism. Paolo Sorrentino and the Search for Authenticity
Mimmo Cangiano
Chapter 3: A Journey from Death to Life: Spectacular Realism and the ‘Unamendability’ of Reality in Paolo Sorrentino’s The Great Beauty
Monica Facchini
Chapter 4: Paolo Sorrentino’s Cinematic Excess
Lydia Tuan
Part two: Sorrentino’s Real and Symbolic Spaces
Chapter 5: Posthuman Sorrentino. Youth and The Great Beauty as Ecocinema
Matteo Gilebbi
 
Chapter 6: Interpolating the ‘blah, blah, blah’: Rome’s Vocalization Through Architecture in The Great Beauty
Alex Gammon
Chapter 7: The Great Beauty: A Journey Through Art and Relations in Search for Beauty
Michela Barisonzi
Chapter 8: The Urban Dimension as Film Character: Rome in The Great Beauty
Carla Molinari
 
Part three: A Journey into Sorrentino’s Psyche
Chapter 9: The ‘Primal Scene’: Memory, Redemption and (The Image of) ‘Woman’ in the Films of Paolo Sorrentino
 Russel Kilbourn
Chapter 10: Anxiety (of Influence) and (Absent) Fathers in Paolo Sorrentino
Sandra Waters
Chapter 11: ‘È solo l’alito di un vecchio’. Obscenity, Exchange Regimes, and the Catastrophe of Aging in Loro.
Nicoletta Marini-Maio
 
Part four: Sorrentino’s Postsecular Pope
Chapter 12: The Young Pope’s Credit Sequence: A Postsecular Allegory in Ten Paintings.
Russell Kilbourn
Chapter 13: The ‘Fabrication’ of Religion in The Young Pope: the Double Irony of Post-Secular Iconicity
Monica Jansen and Maria Bonaria Urban
Chapter 14: The Young Pope Between Television and Celebrity Studies
 Anna Manzato and Antonella Mascio
 Interview with Carlo Poggioli (costume designer of Paolo Sorrentino)
Annachiara Mariani
Bibliography

Recenzii

"A convenient, single volume comprising the best of contemporary scholarship on Sorrentino. . . . [It] provides a provocative, wide-ranging and thought-provoking overview of Sorrentino's originality and significance. . . . The book should be of great interest to anyone concerned with Italian cinema, contemporary Italian culture, or the state of global film and television today. Sorrentino has finally achieved the recognition he deserves within academia and I am sure this exciting new collection will only serve as a spur to further scholarship."