Paris in the Cinema: Beyond the Flâneur
Editat de Alastair Phillips, Ginette Vincendeauen Limba Engleză Paperback – 29 noi 2017
This is an ideal resource for undergraduate and postgraduate students of Film, Media and Cultural Studies, French Studies, European or Transnational Studies, Visual Studies, and Urban Studies. Fresh and engaging, this fascinating text will also appeal to lovers of French cinema and the capital city that comprises its major home.
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Specificații
ISBN-13: 9781844578177
ISBN-10: 1844578178
Pagini: 278
Dimensiuni: 155 x 235 x 18 mm
Greutate: 0.5 kg
Ediția:1st ed. 2018
Editura: British Film Institute
Colecția British Film Institute
Locul publicării:London, United Kingdom
ISBN-10: 1844578178
Pagini: 278
Dimensiuni: 155 x 235 x 18 mm
Greutate: 0.5 kg
Ediția:1st ed. 2018
Editura: British Film Institute
Colecția British Film Institute
Locul publicării:London, United Kingdom
Cuprins
Acknowledgements.-
Beyond
theflâneur:
an
introduction;
Alastair
Phillips
and
Ginette
Vincendeau.-
PART
1:
LOCATIONS.-
The
Eiffel
Tower:
a
Parisian
film
star;
Nicoleta
Bazgan.-
Working-class
Paris
and
post-war
noir:Les
Portes
de
la
nuit;
Thomas
Pillard.-
Thecavesof
Saint-Germain-des-Prés
in
1950s
French
cinema;
Sébastien
Layerle.-Le
Signe
du
lion:
Paris
in
the
summer
of
1959;
Michel
Marie.-
Truffaut’s
apartments;Hilary
Radner
and
Alistair
Fox.-
The
New
Wave
hotel;
Roland-François
Lack.-
The
vanishing
of
Les
Halles;Catherine
E.
Clark.-
The
Parisianbanlieueon
screen:
so
close,
yet
so
far;
Ginette
Vincendeau.-
PART
2:
CHARACTERS.-
Maigret
from
across
the
Channel;
Charlotte
Brunsdon.-
Parisian
cinephiles
and
the
Mac-Mahon;
Leila
Wimmer.-
Beyond
theflâneuse:the
uniqueness
ofCléo
de
5
à
7;
Jennifer
Wallace.-
Amateur
filmmakers’
Paris:
home
movies
at
the
Forum
des
images;
Roger
Odin.-
Theconcierge
in
contemporary
French
Cinema;
Raphaëlle
Moine.-
Parisian
lovers
in
the
contemporary
romcom;
Mary
Harrod.-
The
enduring
glamour
of
the
Parisienne;
Stephen
Gundle.-
PART
3:
HISTORY.-
Charles
Dickens’s
Two
Cities;
Colin
Jones.-
From
Meryon
to
Ulmer’sBluebeard:a
Baudelairian
iconography;
Jean-Loup
Bourget.-
Site
of
infamy:
the
Vel’
d’Hiv
in
French
cinema;
Sandy
Flitterman-Lewis.-
‘Unremarkable
Paris’:
Jacques
Becker’s
Urban
Everyday;
Alastair
Phillips.-
Television
and
the
renewal
of
Paris,
from
official
discourse
to
social
criticism;
Hélène
Jannière.-
Parisian
building
sites
(1945-1975):
from
modernity
to
abstraction;
Marie
Gaimard
and
Marguerite
Vappereau.-
The
mirror
of
a
city:
the
‘Parisian
Collection’
of
the
Forum
des
images;
Jean-Yves
de
Lépinay.-
INTERVIEW.-
Filming
Paris:
an
interview
with
Jean-Pierre
Jeunet.-
Contributors.-
Select
bibliography.
Notă biografică
Alastair
Phillips
is
Associate
Professor
(Reader)
in
Film
Studies
at
the
University
of
Warwick.
His
books
on
French
cinema
includeCity
of
Darkness,
City
of
Light:
Émigré
Filmmakers
in
Paris
1929-1939(2004),Rififi(2009),Journeys
of
Desire,
European
Actors
in
Hollywood(co-edited
with
Ginette
Vincendeau,
2006)
andA
Companion
to
Jean
Renoir(co-edited
with
Ginette
Vincendeau,
2013).
He
is
an
editor
ofScreenand
currently
working
on
a
book
about
the
films
of
Jacques
Becker.
Ginette Vincendeau is Professor in Film Studies at King’s College London and a regular contributor toSight and Sound. She has published widely on French cinema and was made Chevalier de l’Ordre des Arts et des Lettres for services to French Culture. Among her books areStars and Stardom in French Cinema(2000),Jean-Pierre Melville, An American in Paris(2003),La Haine(2005) andBrigitte Bardot(2013). She co-edited Journeys of Desire: European Actorsin Hollywood (2006) andA Companion to Jean Renoir(2013) with Alastair Phillips andThe French New Wave: Critical Landmarks(2009) with Peter Graham. Her current research is on the filmmaker Claude Autant-Lara.
Ginette Vincendeau is Professor in Film Studies at King’s College London and a regular contributor toSight and Sound. She has published widely on French cinema and was made Chevalier de l’Ordre des Arts et des Lettres for services to French Culture. Among her books areStars and Stardom in French Cinema(2000),Jean-Pierre Melville, An American in Paris(2003),La Haine(2005) andBrigitte Bardot(2013). She co-edited Journeys of Desire: European Actorsin Hollywood (2006) andA Companion to Jean Renoir(2013) with Alastair Phillips andThe French New Wave: Critical Landmarks(2009) with Peter Graham. Her current research is on the filmmaker Claude Autant-Lara.
Textul de pe ultima copertă
Paris
is
the
most
iconic
and
frequently
painted,
photographed
and
filmed
city
in
the
world. Paris
in
the
Cinema:
Beyond
the
Flâneur offers
a
new
approach
to
the
representation
of
Paris
on
screen.
Bringing
together
a
wide
range
of
renowned
French
and
Anglophone
specialists
in
film,
history,
architecture
and
literature,
Alastair
Phillips
and
Ginette
Vincendeau
introduce,
challenge
and
extend
ideas
about
the
city
as
the
locus
of
screen
modernity.
Through a range of concrete and historically-specific case studies, this vibrant collection:
• provides innovative angles on how films deploy the French capital beyond its function as glamorous background
• explores how filmmakers both construct and recycle its status as an ‘iconic capital’
• considers the specific identities of Parisians on screen
• demonstrates how the cinematic city of Paris now constitutes a major archive of French cultural history and memory.
Fresh and engaging, this fascinating resource will appeal to all students, scholars and lovers of French cinema and the capital city that comprises its major home.
Through a range of concrete and historically-specific case studies, this vibrant collection:
• provides innovative angles on how films deploy the French capital beyond its function as glamorous background
• explores how filmmakers both construct and recycle its status as an ‘iconic capital’
• considers the specific identities of Parisians on screen
• demonstrates how the cinematic city of Paris now constitutes a major archive of French cultural history and memory.
Fresh and engaging, this fascinating resource will appeal to all students, scholars and lovers of French cinema and the capital city that comprises its major home.
Caracteristici
- Richly
illustrated
with
film
stills
throughout
- Covers
a
wealth
of
auteur
and
popular
French,
US
and
British
films
- Examines
a
wide
selection
of
topics
relating
to
the
architectural
and
social
fabric
of
Paris,
the
character
of
its
inhabitants,
and
the
city's
social
and
political
history
- Provides
innovative
angles
on
how
films
and
television
programmes
deploy
the
French
capital
beyond
its
function
as
glamorous
background
- Explores
how
filmmakers
both
construct
and
recycle
its
status
as
an
'iconic
capital'
- Considers
the
specific
identities
of
Parisians
on
screen
- Offers
a
strong
interdisciplinary
approach
that
provides
numerous
fresh
angles
on
the
subject
of
Paris
on
screen
- Contains
an
original
interview
with Amelie director
Jean
Pierre
Jeunet