People Who Like Meatballs

'Arguably the most distinctive truth teller to emerge in British poetry - Despite her thematic preoccupations, there's nothing conscientious or worthy about Hill's work. She is a flamboyant, exuberant writer who seems effortlessly to juggle her outrageous symbolic lexicon - using techniques of juxtaposition, interruption and symbolism to articulate narratives of the unconscious. Those narratives are the matter of universal, and universally recognisable, psychodrama - hers is a poetry of piercing emotional apprehension, lightly worn - So original that it has sometimes scared off critical scrutineers, her work must now, surely, be acknowledged as being of central importance in British poetry - not only for the courage of its subject matter but also for the lucid compression of its poetics' - Fiona Sampson, Guardian. 'Her adoption of surrealist techniques of shock, bizarre, juxtaposition and defamiliarisation work to subvert conventional notions of self and the feminine - Hill returns repeatedly to fragmented narratives, charting extreme experience with a dazzling excess' - Deryn Rees-Jones, Modern Women Poets.