Performance Drawing: New Practices since 1945: Drawing In
Autor Maryclare Foá, Jane Grisewood, Birgitta Hosea, Carali McCallen Limba Engleză Paperback – 12 ian 2022
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Specificații
ISBN-13: 9781350287358
ISBN-10: 1350287350
Pagini: 264
Ilustrații: 32 bw illus
Dimensiuni: 156 x 234 x 20 mm
Greutate: 0.56 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Seria Drawing In
Locul publicării:London, United Kingdom
ISBN-10: 1350287350
Pagini: 264
Ilustrații: 32 bw illus
Dimensiuni: 156 x 234 x 20 mm
Greutate: 0.56 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Seria Drawing In
Locul publicării:London, United Kingdom
Caracteristici
Brings together a wide range of major figures who combined drawing and practice, such as John Cage, Gutai, Laurie Anderson, Dennis Oppenheim, Jackson Pollock, VALIE EXPORT, Carolee Schneemann, and highlights lesser known figures such as Guido van der Werve, Takahito Iimura and Elena del Rivero.
Notă biografică
Maryclare Foá s a UK/Irish artist and teaches drawing at the University of the Arts London, UK. She was awarded her PhD at Camberwell, UAL, UK; her work was exhibited in A History of Drawing (2018) at UAL, UK, and can be seen in Drawing Now: Between the Lines of Contemporary Art (I.B. Tauris, 2007) and Hyperdrawing: Beyond the Lines of Contemporary Art (I.B. Tauris, 2012).Birgitta Hosea is a time-based media artist and Professor of Moving Image at the University for the Creative Arts, UK. Previously, Head of Animation at the Royal College of Art, UK and Central Saint Martins, UAL, UK where she completed her PhD in animation as a form of performance in 2012.Carali McCall is a Canadian London-based artist and art tutor; she was awarded her PhD at Central Saint Martins, UAL, UK, where she is active in research groups. She was a finalist in the 2017 Jerwood Drawing Prize and was recently granted funding from Arts Council England for the artwork, Run Vertical (Running up the Side of a Building).Jane Grisewood was a New Zealand London-based artist and lecturer; she gained her PhD in 2010 at Central Saint Martins, UAL, UK, where she taught experimental drawing. She received awards from Arts Council England and had Artists' Books published that have been acquired in international collections. She exhibited at Lumen and Void London, Aether Berlin, Kaleid Oslo, Venice Biennale (2019) and in Line/Extended (2019) at the University of Hertfordshire, UK. Jane died in 2023.
Cuprins
ForewordPreface1. Marking: Line and Body in Time and Space2. Physicality: Running as Drawing3. Communicating: Directives and/or Instructions that Promote the Activity of Drawing4. Conjuring: the Gift of a Surprise5. Illuminating: Live Mark Making Through Projected LightConclusionBibliography
Recenzii
A valuable historical primer that examines key examples of performance drawing from the last half-century and challenges established definitions and categorisations. The authors draw a picture of the changing boundaries between art forms, showing how the blurred lines between artistic disciplines are the product of an active performative process. In addition to practitioners, this should be read by anyone interested in emerging art practices.
Performance Drawing represents a highly developed record of practice-based research, tracing the developments in contemporary drawing, building on precedents that have led to emerging trends. It analyzes the radical departure from the acceptance of drawing as a canonical medium based on mark-making on two-dimensional surfaces, into real space towards performance, light projections, film and the use of new technologies. The texts brilliantly place all these developments into a clearly articulated context.
While narrative forms of drawing have found favor through numerous exhibitions and publications world-wide, drawing as an inherently process-driven performative event is still lacking accessible comprehensive theoretical research. Bridging two centuries of contemporary practice, Performance Drawing will fill a huge gap for artists, teachers, scholars and art publics.
Performance Drawing represents a highly developed record of practice-based research, tracing the developments in contemporary drawing, building on precedents that have led to emerging trends. It analyzes the radical departure from the acceptance of drawing as a canonical medium based on mark-making on two-dimensional surfaces, into real space towards performance, light projections, film and the use of new technologies. The texts brilliantly place all these developments into a clearly articulated context.
While narrative forms of drawing have found favor through numerous exhibitions and publications world-wide, drawing as an inherently process-driven performative event is still lacking accessible comprehensive theoretical research. Bridging two centuries of contemporary practice, Performance Drawing will fill a huge gap for artists, teachers, scholars and art publics.