Performing Age in Modern Drama
Autor Valerie Barnes Lipscomben Limba Engleză Hardback – 14 iul 2016
The common admonition "act your age" provides the springboard for this study, which rests on the premise that age is performative in nature, and that issues of age and performance crystallize in the theatre.
Dramatic conventions include characters who change ages from one moment to the next, overtly demonstrating on stage the reiterated actions that create a performative illusion of stable age. Moreover, directors regularly cast actors in these plays against their chronological ages. Lipscomb contends that while the plays reflect varying attitudes toward performing age, as a whole they reveal a longing for an ageless self, a desire to present a consistent, unified identity. The works mirror prevailing social perceptions of the aging process as well as the tension between chronological age, physiological age, and cultural constructions of age.
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Specificații
ISBN-13: 9781137512512
ISBN-10: 1137512512
Pagini: 201
Ilustrații: IX, 202 p.
Dimensiuni: 148 x 210 x 16 mm
Greutate: 0.38 kg
Ediția:1st ed. 2016
Editura: Palgrave Macmillan US
Colecția Palgrave Macmillan
Locul publicării:New York, United States
ISBN-10: 1137512512
Pagini: 201
Ilustrații: IX, 202 p.
Dimensiuni: 148 x 210 x 16 mm
Greutate: 0.38 kg
Ediția:1st ed. 2016
Editura: Palgrave Macmillan US
Colecția Palgrave Macmillan
Locul publicării:New York, United States
Cuprins
Introduction.- 1. Classics of Modern Drama.- 2. Contemporary Memory Plays.- 3. Contemporary Memory Plays II.- 4. The Continuum of Age.- 5. The Fullness of Self.- Bibliography.
Recenzii
“Performing Age makes significant contributions to theatre studies as well as aging studies by tracing the integral importance of age within a number of renowned plays in which it has to date been overlooked or disregarded. … This study breaks new ground for theatre studies and age studies in opening up both fields to new considerations … .” (Linda Heß, Journal of Contemporary Drama in English, Vol. 6 (02), November, 2018)
Notă biografică
Valerie Barnes Lipscomb is Associate Professor of English at the University of South Florida Sarasota-Manatee, USA. She serves on the executive committees of the North American Network in Aging Studies and the Modern Language Association Age Studies Forum. She co-edited Staging Age (2010) and has published in such journals as Comparative Drama, Journal of Ageing and Later Life, and Age, Culture, Humanities.
Textul de pe ultima copertă
This book is the first to examine age across the modern and contemporary dramatic canon, from Arthur Miller and Tennessee Williams to Paula Vogel and Doug Wright. All ages across the life course are interpreted as performance and performative both on page and on stage, including professional productions and senior-theatre groups.
Act your age. This common admonition provides the springboard for this study, which rests on the premise that age is performative in nature, and that issues of age and performance crystallize in the theatre.
Dramatic conventions include characters who change ages from one moment to the next, overtly demonstrating on stage the reiterated actions that create a performative illusion of stable age. Moreover, directors regularly cast actors in these plays against their chronological ages. Lipscomb contends that while the plays reflect varying attitudes toward performing age, as a whole they reveal a longing for an ageless self, a desire to present a consistent, unified identity. The works mirror prevailing social perceptions of the aging process as well as the tension between chronological age, physiological age, and cultural constructions of age.
Act your age. This common admonition provides the springboard for this study, which rests on the premise that age is performative in nature, and that issues of age and performance crystallize in the theatre.
Dramatic conventions include characters who change ages from one moment to the next, overtly demonstrating on stage the reiterated actions that create a performative illusion of stable age. Moreover, directors regularly cast actors in these plays against their chronological ages. Lipscomb contends that while the plays reflect varying attitudes toward performing age, as a whole they reveal a longing for an ageless self, a desire to present a consistent, unified identity. The works mirror prevailing social perceptions of the aging process as well as the tension between chronological age, physiological age, and cultural constructions of age.