Perspectives on Artistic Research in Music
en Limba Engleză Paperback – 14 sep 2018
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Specificații
ISBN-13: 9781498544832
ISBN-10: 1498544835
Pagini: 244
Dimensiuni: 150 x 219 x 15 mm
Greutate: 0.37 kg
Editura: Rowman & Littlefield
ISBN-10: 1498544835
Pagini: 244
Dimensiuni: 150 x 219 x 15 mm
Greutate: 0.37 kg
Editura: Rowman & Littlefield
Notă biografică
Cuprins
Introduction
Section I - Theorizing Practice Based Artistic Research
1. Robert Burke and Andrys Onsman - Discordant Methodologies: Prioritising Performance in Artistic Research in Music
2. Deniz Peters - Six Propositions on Artistic Research
3. Stephen Emmerson - Is my Performance Research?
4. Robert Vincs - ¿that is the question: the nature and scope of the research question within practice-led artistic research
5. Michael Hooper - The Art of Scholarship
Section II - Locating Artistic Research in Universities
6. Linda Barwick and Joseph Toltz - Quantifying the ineffable? The University of Sydney¿s 2014 guidelines for non-traditional research outputs
7. Jenny Wilson - Equal, inferior or different? Research equivalence and university attitudes to artistic research
8. Glen Hodges - Keep Your Eye on the Prize
Section III ¿ Artistic Research in Music Practice
9. Zubin Kanga - `Building an instrument¿ in the collaborative composition and performance of works for piano and live electronics
10. Thomas Reiner - Approaching music through language: a Lacanian perspective
11. Nick Haywood - Developing Key Concepts of Ensemble Performance
12. Cat Hope - The Decibel new music ensemble - artistic research in experimental music at the academy
13. Tim Dargaville - Speaking in Tongues¿: An investigation into a compositional practice informed by intercultural exploration
14. Johanna Selleck - Creativity and the blues: a philosophical approach to practice and research
15. Andrys Onsman & Robert Burke - Disturbing Perspectives of Research in Music
Descriere
This book demonstrates how experimentation generates new and creative music. It considers whether musical practice can provide worthwhile research outputs and how artistic research in music can assume a legitimate place in the academy. It goes on to demonstrate how exploration and experimentation function as legitimate artistic research in music.