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Photography and Its Origins

Editat de Tanya Sheehan, Andres Zervigon
en Limba Engleză Paperback – 20 noi 2014
Recent decades have seen a flourishing interest in and speculation about the origins of photography. Spurred by rediscoveries of ‘first’ photographs and proclamations of photography’s death in the digital age, scholars have been rethinking who and what invented the medium.Photography and Its Origins reflects on this interest in photography’s beginnings by reframing it in critical and specifically historiographical terms. How and why do we write about the origins of the medium? Whom or what do we rely on to construct those narratives? What’s at stake in choosing to tell stories of photography’s genesis in one way or another? And what kind of work can those stories do?
Edited by Tanya Sheehan and Andrés Mario Zervigón, this collection of 16 original essays, illustrated with 32 colour images, showcases prominent and emerging voices in the field of photography studies. Their research cuts across disciplines and methodologies, shedding new light on old questions about histories and their writing.
Photography and Its Origins will serve as a valuable resource for students and scholars in art history, visual and media studies, and the history of science and technology.
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Specificații

ISBN-13: 9780415722902
ISBN-10: 041572290X
Pagini: 254
Ilustrații: 32 colour illustrations
Dimensiuni: 156 x 234 x 15 mm
Greutate: 0.43 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom

Public țintă

Postgraduate and Undergraduate

Cuprins

Introduction Tanya Sheehan and Andrés Zervigón  Part I: Rethinking first photograph(er)s 1. A Sensational Story: Helmut Gernsheim and "The World’s First Photograph" Jessica S. McDonald 2. What’s Wrong with Daguerre? Hans Rooseboom 3. Omphaloskeptical? On Daguerre, Smoke Drawing, Finger Painting, and Photography Stephen C. Pinson 4. The Past through the Looking Glass Dan Estabrook  Part II: Multiplying beginnings 5. Origins without End Geoffrey Batchen 6. Notes towards New Accounts of Photography’s Invention Douglas R. Nickel 7. Against Photographic Exceptionalism Stephen Bann 8. Sacred Stories: Photography’s Indigenous Origins Heather Shannon 9. Seeing Ourselves as Others See Us: Frederick Douglass’s Reflections on Daguerreotypy and Racial Difference Marcy J. Dinius  Part III: Writing (trans)national histories 10. "An American Sun Shines Brighter," or, Photography Was (Not) Invented in the United States François Brunet 11. The Bertoloni Album: Rethinking Photography’s National Identity Beth Saunders 12. Photography and Its Chinese Origins Yi Gu 13. Looking into the Past and Present: The Origins of Photography in Africa Jürg Schneider Part IV: Tracing scientific origins 14. Self-Reflections: The Nature of Sir Humphry Davy’s Photographic "Failures" Jordan Bear 15. Natural/Mechanical: Keywords in the Conception of Early Photography Laura Saltz 16. A Note on the Science of Photography: Reconsidering the Invention Story Kelley Wilder  Selected bibliography

Notă biografică

Tanya Sheehan is Associate Professor in the Department of Art at Colby College, where she teaches American art history and the history of photography. She is the author of Doctored: The Medicine of Photography in Nineteenth-Century America (2011) and editor of Photography, History, Difference (2014). Andrés Mario Zervigón is Associate Professor of the History of Photography in the Art History Department at Rutgers, The State University of New Jersey. He is author of John Heartfield and the Agitated Image: Photography, Persuasion, and the Rise of Avant-Garde Photomontage (2012).

Descriere

Photography and its Origins reflects on photography’s beginnings in critical and specifically historiographical terms, rethinking the historical moments, contexts, discourses, and actors that populate stories about the origins of photography. With essays from prominent and emerging scholars that cut across disciplines and methodologies, this book sheds new light on old historical questions.