Photopoetry 1845-2015: A Critical History
Autor Dr Michael Notten Limba Engleză Paperback – 25 mai 2022
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Specificații
ISBN-13: 9781501388729
ISBN-10: 150138872X
Pagini: 312
Ilustrații: 56 bw illus
Dimensiuni: 152 x 229 x 23 mm
Greutate: 0.57 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Locul publicării:New York, United States
ISBN-10: 150138872X
Pagini: 312
Ilustrații: 56 bw illus
Dimensiuni: 152 x 229 x 23 mm
Greutate: 0.57 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Locul publicării:New York, United States
Caracteristici
The first full-length study of collaborations between poets and photographers, bringing to light the history of 'photopoetry' from across almost two centuries
Notă biografică
Michael Nott was a postdoctoral fellow at University College Cork, Ireland.
Cuprins
Introduction1: "With Photographic Illustrations": The Roots of British Photopoetry, 1845-18752: "Illustratable with a Camera": The US and Beyond, 1875-19153: Picturing the City, 1915-19564: Building Photopoetic Space, 1956-1996 5: Site Rhyme and the Architectures of Memory, 1992-2015ConclusionIndex
Recenzii
Impressive in its scope and depth, Photopoetry, 1845-2015 is a landmark work. At once accessible and scholarly, this book will appeal to anyone with an interest in poetry, photography, and links between them.
Michael Nott offers the first ever extended history of photopoetry from its fascinating origins in Victorian photobooks and scrapbooks through to sophisticated 'symbiotic' productions by poets and photographers of the modern and contemporary periods. This ambitious study brings to light a range of little known photopoetic material. His astute theoretical discriminations among evolving collaborative productions by poets and photographers make a strong case for a genre that will excite scholars and creative practitioners alike. A work that makes an original contribution to the field of image/text studies.
Michael Nott offers the first ever extended history of photopoetry from its fascinating origins in Victorian photobooks and scrapbooks through to sophisticated 'symbiotic' productions by poets and photographers of the modern and contemporary periods. This ambitious study brings to light a range of little known photopoetic material. His astute theoretical discriminations among evolving collaborative productions by poets and photographers make a strong case for a genre that will excite scholars and creative practitioners alike. A work that makes an original contribution to the field of image/text studies.