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Pictorial Composition: An Introduction: Dover Art Instruction

Autor Henry R. Poore, Art Instruction
Notă:  2.00 · o notă 
en Limba Engleză Paperback – 31 mai 1976

A painting's technique, color, and perspective may all be excellent, yet the painting will fail unless its composition succeeds. Composition is the harmonious arranging of the component parts of a work of art into a unified whole. Henry Poore examines the works of old masters and moderns in this book and uses these examples to explain the principles of compositions in art.
All the paintings that the author analyzes are illustrated in the text -- 166 illustrations, including 9 in full color. Thirty-two diagrams by the author accompany his textural discussion of such topics as the importance of balance, entrance and exit, circular observation, angular composition, composition with one or more units, and light and shade. Balance is the most important of these topics, and it is considered in the greatest detail -- balance of the steelyard, vertical and horizontal balance, and so on. A complete index enables the reader to locate his own specific areas of interest.
To see how a painting by Cezanne, Goya, or Hopper, for example, follows definite principles of composition allows the practicing artist or art student to learn composition from the finest instructors -- the artists themselves. This book is also very useful to the art devotee, who will find his appreciation of the subject greatly enhanced.

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Specificații

ISBN-13: 9780486233581
ISBN-10: 0486233588
Pagini: 104
Dimensiuni: 208 x 278 x 8 mm
Greutate: 0.29 kg
Editura: Dover Publications
Seria Dover Art Instruction


Textul de pe ultima copertă

A painting's technique, color, and perspective may all be excellent, yet the painting will fail unless its composition succeeds. Composition is the harmonious arranging of the component parts of a work of art into a unified whole. Henry Poore examines the works of old masters and moderns in this book and uses these examples to explain the principles of compositions in art.
All the paintings that the author analyzes are illustrated in the text--166 illustrations, including 9 in full color. Thirty-two diagrams by the author accompany his textural discussion of such topics as the importance of balance, entrance and exit, circular observation, angular composition, composition with one or more units, and light and shade. Balance is the most important of these topics, and it is considered in the greatest detail--balance of the steelyard, vertical and horizontal balance, and so on. A complete index enables the reader to locate his own specific areas of interest.
To see how a painting by Cezanne, Goya, or Hopper, for example, follows definite principles of composition allows the practicing artist or art student to learn composition from the finest instructors--the artists themselves. This book is also very useful to the art devotee, who will find his appreciation of the subject greatly enhanced.


Cuprins

I. THE IMPORTANCE OF BALANCE Balance of the steelyard Rules Scale of attraction Vertical and horizontal balance The natural axis Apparent or formal balance Balance by opposition of line Balance by opposition of spots Transition of line Balance by gradation Balance of principality or isolation Balance of cubical space 2. ENTRANCE AND EXIT Getting into the picture Getting out of the picture 3. CIRCULAR OBSERVATION Circular composition Reconstruction for circular observation Color plates 4. ANGULAR COMPOSITION The triangle The vertical line in angular composition Angular composition based on the horizontal Line of beauty Structural line 5. COMPOSITION WITH ONE OR MORE UNITS Two units Three units Groups The figure in landscape 6. LIGHT AND SHADE Principality Gradation INDEX

Descriere

Learn principles of composition, classical and modern, through analysis of works from middle ages to present. 148 illustration, 9 in color.