Plants, Places, and Power – Toward Social and Ecological Justice in German Literature and Film: Women and Gender in German Studies

Preface and Acknowledgments: People and Places Introduction: Living in Relation: Plants, Place-Making, and Social Justice 1: Landscapes: Infrastructures, Power Topographies, and Feral Gardens in Juli Zeh's Unterleuten (2016), Valeska Grisebach's Western (2017), and Anna Sofie Hartmann's Giraffe (2019) 2: Uncanny Gardens: Migration and Belonging in Dörte Hansen's Altes Land (2015) and Saša Staniši¿'s Herkunft (2019) 3: Trees, Roots, and Anti-Racism in Ilija Trojanow's Nach der Flucht (2017), Mo Asumang's Roots Germania (2007) and Die Arier (2014), and Elliot Blue's Home? (2018) 4: Defiant Flowers and Manufactured Happiness in Vera Chytilová's Daisies (1966), Pipilotti Rist's Pepperminta (2009), and Jessica Hausner's Little Joe: Glück ist ein Geschäft (2019) 5: Senses, Queer Interrelations, and Decolonial Geographies in Y¿ko Tawada's Das nackte Auge (2004), Shari Hagen's Auf den zweiten Blick (2012), and Faraz Shariat's Futur Drei (2020) Epilogue: Erasures and Different Stories Bibliography Index