Playing Scared: My Journey Through Stage Fright
Autor Sara Solovitchen Limba Engleză Hardback – iul 2015
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Specificații
ISBN-13: 9781408854556
ISBN-10: 1408854554
Pagini: 288
Dimensiuni: 135 x 216 x 29 mm
Greutate: 0.42 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Publishing
Locul publicării:London, United Kingdom
ISBN-10: 1408854554
Pagini: 288
Dimensiuni: 135 x 216 x 29 mm
Greutate: 0.42 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Publishing
Locul publicării:London, United Kingdom
Caracteristici
Readers
will
identify
with
Solovitch's
personal
journey
in
the
book,
as
she
sheds
light
on
numerous
therapies
and
practices
to
overcome
stage
fright
Notă biografică
Sara
Solovitch
is
a
journalist
who
has
been
a
medical
writer
at
Stanford
University
and
a
reporter
at
thePhiladelphia
Inquirer.
Her
articles
have
appeared
in
theWashington
Post,Los
Angeles
Times,Esquire,Wiredand
elsewhere.
She
lives
in
Santa
Cruz,
California.
This
is
her
first
book.
www.sarasolo.com
Recenzii
If
your
knees
knock,
your
heart
races
and
your
sweat
glands
become
hydrants
at
the
terrifying
prospect
of
taking
the
stage,
you're
in
good
company.
I
once
had
stage
fright.
So
did
Sara
Solovitch.
If
you're
in
the
club,
fear
not.
This
book
will
set
you
free
Not only has Sara Solovitch written a gripping and compelling tale of her own journey as a musical performer confronting stage fright,Playing Scaredwill hold significance for anyone who fears the spotlight, whether in the boardroom, on the playing field or on stage. Masterfully done!
Who knew that stage fright was so widespread - the sad secret of many musicians, athletes, actors, and people from all walks of life who dissolve when giving a talk to a dozen people? Brava to Solovitch for weaving the fascinating history of stage fright together with her own experience of playing the piano literally scared stiff, and for enriching all of us by sharing her triumphant story
Fascinating ... We hear about music, sport, philosophy, psychology . and there are quite a few useful tips along the way
Although a non-musician, I loved her account of tense masterclasses and the religiosity of daily practice. Solovitch is a skilled, self-deprecating, wry and quizzical writer, who fills her account both with diligent research into all relevant fields - from psychology and medicine to sports history - and wonderful vignettes of fellow phobics.How fortunate for readers - and, as it turns out, Solovitch's own deep joy - that she finds the courage to open [the piano lid] once more
Captivating . fascinating and wide-ranging new book ... Solovitch has in her corner a large and sympathetic crowd of psychologists, piano teachers and family members . More often than not, Solovitch's digressions into the history of performance anxiety are illuminating . Solovitch is good at elucidating both musical and scientific concepts and she deftly weaves together her descriptions of various musical pieces with accounts of the psycho-physiological phenomena she was experiencing while playing them
Thoughtful and wide-ranging exploration of stage fright . What really drives the narrative is a genuine quest for understanding, paired with a personal journey towards salvation . A sensitive interviewer, Solovitch deftly teases out her subjects' stories, many of which are heartfelt and moving, including a pastor who stutters and quakes through every Sunday sermon and a baseball player who was mocked on national news. And even attracted death threats, when performance anxiety stole his ability to pitch . Shedding light so eloquently on such a widespread and too easily trivialised affliction
Funny and surprising
Not only has Sara Solovitch written a gripping and compelling tale of her own journey as a musical performer confronting stage fright,Playing Scaredwill hold significance for anyone who fears the spotlight, whether in the boardroom, on the playing field or on stage. Masterfully done!
Who knew that stage fright was so widespread - the sad secret of many musicians, athletes, actors, and people from all walks of life who dissolve when giving a talk to a dozen people? Brava to Solovitch for weaving the fascinating history of stage fright together with her own experience of playing the piano literally scared stiff, and for enriching all of us by sharing her triumphant story
Fascinating ... We hear about music, sport, philosophy, psychology . and there are quite a few useful tips along the way
Although a non-musician, I loved her account of tense masterclasses and the religiosity of daily practice. Solovitch is a skilled, self-deprecating, wry and quizzical writer, who fills her account both with diligent research into all relevant fields - from psychology and medicine to sports history - and wonderful vignettes of fellow phobics.How fortunate for readers - and, as it turns out, Solovitch's own deep joy - that she finds the courage to open [the piano lid] once more
Captivating . fascinating and wide-ranging new book ... Solovitch has in her corner a large and sympathetic crowd of psychologists, piano teachers and family members . More often than not, Solovitch's digressions into the history of performance anxiety are illuminating . Solovitch is good at elucidating both musical and scientific concepts and she deftly weaves together her descriptions of various musical pieces with accounts of the psycho-physiological phenomena she was experiencing while playing them
Thoughtful and wide-ranging exploration of stage fright . What really drives the narrative is a genuine quest for understanding, paired with a personal journey towards salvation . A sensitive interviewer, Solovitch deftly teases out her subjects' stories, many of which are heartfelt and moving, including a pastor who stutters and quakes through every Sunday sermon and a baseball player who was mocked on national news. And even attracted death threats, when performance anxiety stole his ability to pitch . Shedding light so eloquently on such a widespread and too easily trivialised affliction
Funny and surprising