Poetry and the Language of Oppression: Essays on Politics and Poetics
Autor Carmen Buganen Limba Engleză Hardback – 17 iun 2021
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Specificații
ISBN-13: 9780198868323
ISBN-10: 0198868324
Pagini: 224
Dimensiuni: 145 x 222 x 18 mm
Greutate: 0.42 kg
Editura: OUP OXFORD
Colecția OUP Oxford
Locul publicării:Oxford, United Kingdom
ISBN-10: 0198868324
Pagini: 224
Dimensiuni: 145 x 222 x 18 mm
Greutate: 0.42 kg
Editura: OUP OXFORD
Colecția OUP Oxford
Locul publicării:Oxford, United Kingdom
Recenzii
... beautiful and intensely scrupulous ... Throughout the book, Bugan's own highly regarded poetry serves to distil the essence of her far-ranging political and cultural analysis and to re-enact it in verse that strikes close to home -- home that for her stricken family was a target of Nicolae Ceaulsescu's fascist regime.
... not just timely but necessary reading. "The essays provide an academic monograph on how poetry, a poet's voice and craft, can and should approach questions of politics and justice."
Poetry, in the title of Carmen Bugan's beautiful and intensely scrupulous book, at first glance positions itself forthrightly and steadfastly in opposition to the Language of Oppression. Yet the equally vigilant placing of and then of serves to remind us that Language can cut both ways: poetry as the transmutation of tyranny into verse and "poetry" as propaganda for the state. This kind of hyper-linguistic alertness comes second nature to Bugan's art.
An inspired poet and contemplative analyst...The essays preserve much of their original engaging oral style, which enhances the authenticity of Bugan's self-analytical voice as a writer whose language reflects her personal encounter with history. They make a persuasive plea for viewing politics in literature 'beyond their use as mere partisanship', while transcending political one-sidedness towards 'reassessing how we govern ourselves with language' (pp. 148-9)... a poet's celebration of wisdom and wonder to trace back the nature and processes of our Lebenswelt ('life-world') ultimately to the mystery of language itself.
...an extraordinary book...The poems reprinted here are in their different ways remarkable but nothing can beat "The Divorce" for its combination of emotional power and linguistic restraint. It's one of the most memorable modern poems of witness I have read... I find Bugan's analysis of the role played by poetry in her survival to be honest and truthful—and to achieve that is itself a kind of miracle. It has been the making of her... You can feel the extent to which the book is driven by a burden of responsibility towards other victims of oppression; as Seamus Heaney put it, she is driven by a feeling of "solidarity with the doomed". This is in every way a stunning volume by an utterly remarkable writer.
Bugan's writing demonstrates her resilience and courage to nevertheless express herself when facing oppression.
In this powerful and personal book, Bugan brings up questions about literary testimony and the meaning of freedom in current times, while confronting the power of language.
These are books to purchase, mark up, and return to, one essay at a time...Bugan has so many smart things to say about poetry and politics that one exits the encounter not just illuminated but shocked
Poetry and the Language of Oppression probes the delicate interface between realities that bind and words that free. We follow Bugan from Communist Romania where she discovers the tensions of writing under political oppression, to the US, Britain, France, and back to the US, where she becomes an accomplished public voice speaking for poems as meeting places of hope and marvel in uncertain times. Like the poets from whom she draws strength, among them Czeslaw Milosz, Seamus Heaney, and Pablo Neruda, Bugan believes passionately that poets can contribute to history by telling the truth and speaking 'heart to heart' about political discontent. Poetry and the Language of Oppression testifies to the vital work that poetry does in our lives, by healing division and imagining new spaces of freedom. This is a deeply moving and convincing book.
Bugan has written a deeply personal account of her travels across the languages of poetry and oppression. These two languages, she argues with admirable clarity, are not isolated from one another; they are often co-present, compelling us to come to terms with the fragility of poetry. Bugan's own poems scattered across the pages are a gift, as are her reflections on Whitman, Mandelstam, Milosz, Wole Soyinka, and so many others.
... not just timely but necessary reading. "The essays provide an academic monograph on how poetry, a poet's voice and craft, can and should approach questions of politics and justice."
Poetry, in the title of Carmen Bugan's beautiful and intensely scrupulous book, at first glance positions itself forthrightly and steadfastly in opposition to the Language of Oppression. Yet the equally vigilant placing of and then of serves to remind us that Language can cut both ways: poetry as the transmutation of tyranny into verse and "poetry" as propaganda for the state. This kind of hyper-linguistic alertness comes second nature to Bugan's art.
An inspired poet and contemplative analyst...The essays preserve much of their original engaging oral style, which enhances the authenticity of Bugan's self-analytical voice as a writer whose language reflects her personal encounter with history. They make a persuasive plea for viewing politics in literature 'beyond their use as mere partisanship', while transcending political one-sidedness towards 'reassessing how we govern ourselves with language' (pp. 148-9)... a poet's celebration of wisdom and wonder to trace back the nature and processes of our Lebenswelt ('life-world') ultimately to the mystery of language itself.
...an extraordinary book...The poems reprinted here are in their different ways remarkable but nothing can beat "The Divorce" for its combination of emotional power and linguistic restraint. It's one of the most memorable modern poems of witness I have read... I find Bugan's analysis of the role played by poetry in her survival to be honest and truthful—and to achieve that is itself a kind of miracle. It has been the making of her... You can feel the extent to which the book is driven by a burden of responsibility towards other victims of oppression; as Seamus Heaney put it, she is driven by a feeling of "solidarity with the doomed". This is in every way a stunning volume by an utterly remarkable writer.
Bugan's writing demonstrates her resilience and courage to nevertheless express herself when facing oppression.
In this powerful and personal book, Bugan brings up questions about literary testimony and the meaning of freedom in current times, while confronting the power of language.
These are books to purchase, mark up, and return to, one essay at a time...Bugan has so many smart things to say about poetry and politics that one exits the encounter not just illuminated but shocked
Poetry and the Language of Oppression probes the delicate interface between realities that bind and words that free. We follow Bugan from Communist Romania where she discovers the tensions of writing under political oppression, to the US, Britain, France, and back to the US, where she becomes an accomplished public voice speaking for poems as meeting places of hope and marvel in uncertain times. Like the poets from whom she draws strength, among them Czeslaw Milosz, Seamus Heaney, and Pablo Neruda, Bugan believes passionately that poets can contribute to history by telling the truth and speaking 'heart to heart' about political discontent. Poetry and the Language of Oppression testifies to the vital work that poetry does in our lives, by healing division and imagining new spaces of freedom. This is a deeply moving and convincing book.
Bugan has written a deeply personal account of her travels across the languages of poetry and oppression. These two languages, she argues with admirable clarity, are not isolated from one another; they are often co-present, compelling us to come to terms with the fragility of poetry. Bugan's own poems scattered across the pages are a gift, as are her reflections on Whitman, Mandelstam, Milosz, Wole Soyinka, and so many others.
Notă biografică
Carmen Bugan, George Orwell Prize Fellow, is the author of four poetry collections, most recently Lilies from America: New and Selected Poems (a PBS Special Commendation), a memoir, Burying the Typewriter: Childhood Under the Eye of the Secret Police (a BBC Radio 4 Book of the Week) and a monograph on Seamus Heaney and East European Poetry in Translation: Poetics of Exile. She was the 2018 Helen DeRoy Professor in Honors at the University of Michigan, a Chargée de Cours at the Université de Fribourg in Switzerland, and taught in the Continuing Education department at the University of Oxford, while she was a Creative Arts Fellow in Literature at Wolfson College. She has a doctorate in English literature from Balliol College, Oxford. She currently teaches at the Gotham Writers' Workshop in Manhattan.