Poetry as Window and Mirror: Positioning the Poet in Hellenistic Poetry: Mnemosyne, Supplements, cartea 330
Autor Jacqueline Kloosteren Limba Engleză Hardback – 20 mar 2011
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Specificații
ISBN-13: 9789004202290
ISBN-10: 9004202293
Pagini: 282
Dimensiuni: 155 x 235 x 20 mm
Greutate: 0.64 kg
Editura: Brill
Colecția Brill
Seria Mnemosyne, Supplements
ISBN-10: 9004202293
Pagini: 282
Dimensiuni: 155 x 235 x 20 mm
Greutate: 0.64 kg
Editura: Brill
Colecția Brill
Seria Mnemosyne, Supplements
Cuprins
CHAPTER 1: POETIC PREDECESSORS IN EPIGRAM
1.1From Greece to Alexandria
1.2Greek Poets and their Predecessors
1.3Royal Patronage and Cultural Memory
1.4Which Poets and what Past?
1.5Poetical Predecessors Represented in Epigram
1.5.1The Text as Monument
1.5.2Biographical Readings
1.6Conclusion
CHAPTER 2: COMING TO TERMS WITH POETIC MODELS
2.1Tradition and Originality
2.2Meeting Ancient Poets
2.2.1Timon, Xenophanes and Pyrrho in Homer’s Hades
2.2.2Hipponax in Callimachus’ Iambi and Herondas’ Mimiambi
2.3Paradigmatic Poets: Theocritus 16:
2.4Biased Readings: Hermesianax' Leontion
2.5Poets to Avoid
2.5.1Imitating Homer
2.5.2Liking Antimachus
2.6Conclusion
CHAPTER 3: APPROPRIATING MYTHICAL POETS
3.1Inventing Traditions
3.2Mythical Poets
3.3Orpheus in Greek Tradition
3.4Orpheus in the Argonautica
3.5Orpheus and the Hymnic Argonautica
3.6Theocritus and the Invention of Bucolic Poetry
3.7Ancient Theories on the Origins of Bucolic Poetry
3.8Daphnis in Idyll 1
3.9Allusive Narrative
3.10Daphnis in the other Idylls
3.11Daphnis and Comatas
3.12A World of Song
3.13Conclusion
CHAPTER 4: CRITICIZING CONTEMPORARIES
4.1The Muses' Birdcage
4.2Poetic Competition and Strife
4.3Bourdieu’s Field of Cultural Production
4.4Callimachus and Apollonius
4.5The Aetia-Prologue
4.6The Telchines and the Lyde
4.7Callimachus’ Iambi
4.8Epigrams
4.9Conclusion
CHAPTER 5: PRAISING CONTEMPORARIES
5.1Praised Poetics and Poetics of Praise
5.2Praising the Old and the New
5.3Reading the Signs in Aratus’ Phaenomena
5.4The Mirror of Immortality
5.5Inviting Comparison
5.6Eliciting Praise
5.7Conclusion
CHAPTER 6: PERSONA, ALIAS AND ALTER EGO IN SPHRAGIS-POETRY
6.1Sphragides
6.2The Seal or Testament of Posidippus
6.3Role-Playing versus Self-Portrayal
6.4Allusive Names, Elusive Poets
6.5Punning and Wordplay
6.6Theocritus, Simichidas and Lycidas
6.7Conclusion
CHAPTER 7: AUTHORITY AND INSPIRATION IN THE AGE OF THE MUSEUM
7.1Questioning the Muse
7.2Homeric Scholarship and Hellenistic Poetry
7.3Overview of Passages featuring ὑποφήτης
7.4The Μοῦσαι ὑποφήτορες of Apollonius
7.5Apollonius on Poetic Inspiration
7.6Parallel Representations of the Muses
7.7Theocritus
7.7.1Idyll 16: Κλέος and Prophecy
7.7.2Idyll 17: Immortal Fame for an Immortal King
7.7.3Idyll 22: Rewriting the Poetic Past
7.8Conclusion
1.1From Greece to Alexandria
1.2Greek Poets and their Predecessors
1.3Royal Patronage and Cultural Memory
1.4Which Poets and what Past?
1.5Poetical Predecessors Represented in Epigram
1.5.1The Text as Monument
1.5.2Biographical Readings
1.6Conclusion
CHAPTER 2: COMING TO TERMS WITH POETIC MODELS
2.1Tradition and Originality
2.2Meeting Ancient Poets
2.2.1Timon, Xenophanes and Pyrrho in Homer’s Hades
2.2.2Hipponax in Callimachus’ Iambi and Herondas’ Mimiambi
2.3Paradigmatic Poets: Theocritus 16:
2.4Biased Readings: Hermesianax' Leontion
2.5Poets to Avoid
2.5.1Imitating Homer
2.5.2Liking Antimachus
2.6Conclusion
CHAPTER 3: APPROPRIATING MYTHICAL POETS
3.1Inventing Traditions
3.2Mythical Poets
3.3Orpheus in Greek Tradition
3.4Orpheus in the Argonautica
3.5Orpheus and the Hymnic Argonautica
3.6Theocritus and the Invention of Bucolic Poetry
3.7Ancient Theories on the Origins of Bucolic Poetry
3.8Daphnis in Idyll 1
3.9Allusive Narrative
3.10Daphnis in the other Idylls
3.11Daphnis and Comatas
3.12A World of Song
3.13Conclusion
CHAPTER 4: CRITICIZING CONTEMPORARIES
4.1The Muses' Birdcage
4.2Poetic Competition and Strife
4.3Bourdieu’s Field of Cultural Production
4.4Callimachus and Apollonius
4.5The Aetia-Prologue
4.6The Telchines and the Lyde
4.7Callimachus’ Iambi
4.8Epigrams
4.9Conclusion
CHAPTER 5: PRAISING CONTEMPORARIES
5.1Praised Poetics and Poetics of Praise
5.2Praising the Old and the New
5.3Reading the Signs in Aratus’ Phaenomena
5.4The Mirror of Immortality
5.5Inviting Comparison
5.6Eliciting Praise
5.7Conclusion
CHAPTER 6: PERSONA, ALIAS AND ALTER EGO IN SPHRAGIS-POETRY
6.1Sphragides
6.2The Seal or Testament of Posidippus
6.3Role-Playing versus Self-Portrayal
6.4Allusive Names, Elusive Poets
6.5Punning and Wordplay
6.6Theocritus, Simichidas and Lycidas
6.7Conclusion
CHAPTER 7: AUTHORITY AND INSPIRATION IN THE AGE OF THE MUSEUM
7.1Questioning the Muse
7.2Homeric Scholarship and Hellenistic Poetry
7.3Overview of Passages featuring ὑποφήτης
7.4The Μοῦσαι ὑποφήτορες of Apollonius
7.5Apollonius on Poetic Inspiration
7.6Parallel Representations of the Muses
7.7Theocritus
7.7.1Idyll 16: Κλέος and Prophecy
7.7.2Idyll 17: Immortal Fame for an Immortal King
7.7.3Idyll 22: Rewriting the Poetic Past
7.8Conclusion
Notă biografică
Jacqueline Klooster, Ph. D. (2009) in Classics, University of Amsterdam, is researcher and lecturer at the University of Amsterdam. She has published various articles on Hellenistic Poetry including narratological analyses of time and space in Apollonius and Theocritus (Brill, 2007).