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Polychrome Art in the Early Modern World: 1200–1800 de Ilenia Colón Mendoza

Polychrome Art in the Early Modern World: 1200–1800: Visual Culture in Early Modernity

Editat de Ilenia Colón Mendoza, Lisandra Estevez
en Limba Engleză Hardback – 4 iul 2024
This book focuses on the techniques and materials of polychromy used in early modern Europe and the Americas from 1200 to 1800.
Taking a trans-cultural approach, the book studies the production of polychrome sculptures, panels, and altarpieces, as well as colored terracotta. The book includes chapters on treatises and contracts that reveal specific use of pigments, distribution of workshops, collaborations between specialized artists, and artistic programs centered on the use of color as an agent.
The book will be of interest to scholars working in art history, art conservation, early modern history, sculpture, colonialism, material culture, and European studies.
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Specificații

ISBN-13: 9780367436353
ISBN-10: 0367436353
Pagini: 208
Ilustrații: 114
Dimensiuni: 174 x 246 mm
Greutate: 0.54 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Visual Culture in Early Modernity

Locul publicării:Oxford, United Kingdom

Public țintă

Postgraduate and Undergraduate

Cuprins

Part 1 Pigments, Color, and the Paragone  1. "The Color to Imitate a Man": On the Meaning of Flesh Tones on Panel Paintings from Antiquity to the High Middle Ages  2. The Colors of the Virgin: Romanesque Polychrome Wood Sculptures in Italy and a Question about Azurite  3. Naming Blue Pigments and Colors in Medieval Catalonia: The Case of Lluís Borrassà  4. Spanish Polychromed Sculpture in the Low Countries: A Journey through Art History and Techniques  5. Pacheco’s Art of Painting: The Parangón and the Techniques of Spanish Seventeenth‑Century Polychrome Sculpture  Part 2 Sculptures in Context  6. Statue Painting in Colonial Andes: ‘Indian’ Virgins and Resacralization of the Religious Landscape  7. Worms Cannot Eat Stone: The Pugliese Presepe and the Materiality of Devotion in Early Modern Puglia  8. Faith, Spectacle, and the Polychromed Processional Figures of Luis Antonio de los Arcos and Luisa Roldán  9. Patrons, Sculptors, and Painters in Eighteenth‑Century Spain: Polychroming Duque Cornejo’s Sculptures  10. More than Wood: Sculpture and Blasphemy in Seventeenth‑Century New Spain  11. The Retablos of Mani: The Convergence of Maya and Spanish Art  12. Artists, Techniques, and Sacred Materials: Revisiting the Case of the Christ of Ixmiquilpan

Notă biografică

Ilenia Colón Mendoza is Professor of Art History at the School of Visual Arts and Design of the University of Central Florida, USA.
Lisandra Estevez is Associate Professor of Art History at Winston-Salem State University, USA.

Descriere

This book focuses on the techniques and materials of polychromy used in early modern Europe and the Americas from 1200 to 1800.