Port Hudson: The Most Significant Battlefield Photographs of the Civil War
Autor Lawrence Lee Hewitten Limba Engleză Hardback – 10 oct 2021
Together the six cameramen claimed many “firsts,” including the first-ever photograph of soldiers engaged in battle, first exterior shots at night, and first “composition print.” The collection—arranged chronologically—allows readers to follow the changes in the landscape during and after the siege. The sheer range of subjects represented is impressive. A cotton gin, a grist mill, and a Methodist church—all showing signs of damage—caught the eyes of photographers. At the request of a Union soldier’s mother, there was a photograph taken of his burial site. There is even the only known photograph of a Confederate army surrendering. Biographies of the photographers and the captions in this volume also brim with fresh information about both the photographs and the campaign, attesting to the author’s meticulous scholarship and skilled analysis.
Though Port Hudson may never receive the level of attention of Gettysburg or Vicksburg, this well-conceived collection of photographs will make those with a serious interest in the conflict or photography not only reexamine Port Hudson but also the importance of the Civil War’s photographic record.
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Specificații
ISBN-13: 9781621904830
ISBN-10: 1621904830
Greutate: 1.11 kg
Ediția:1st Edition
Editura: University of Tennessee Press
Colecția Univ Tennessee Press
ISBN-10: 1621904830
Greutate: 1.11 kg
Ediția:1st Edition
Editura: University of Tennessee Press
Colecția Univ Tennessee Press
Notă biografică
LAWRENCE
LEE
HEWITT
was
professor
of
history
at
Southeastern
Louisiana
University.
He
has
authoredPort
Hudson,
Confederate
Bastion
on
the
Mississippiand
coedited
four
volumes
of
essays
under
the
collective
title
ofConfederate
Generals
in
the
Western
Theaterand
three
volumes
of
essays
under
the
collective
title
ofConfederate
Generals
in
the
Trans-Mississippi
Theater.
Descriere
Lawrence
Lee
Hewitt,
former
manager
of
the
Port
Hudson
State
Historic
Site,
musters
four
decades
of
research
in
Port
Hudson’s
vast
photographic
record
to
present
a
landmark
work
of
Civil
War
history.
This
volume
showcases
the
work
of
six
pioneering
cameramen.
Besides
many
stunning
“firsts”
in
the
medium—like
the
first-ever
photograph
of
soldiers
engaged
in
battle,
first
exterior
shots
at
night,
first
“composition
print,”
and
even
the
first
and
only
known
photograph
of
a
Confederate
army
surrendering—these
photographers
turned
an
appreciative
eye
on
a
cotton
gin,
a
grist
mill,
and
a
Methodist
church,
all
included
here
and
showing
signs
of
damage.
Hewitt
presents
their
photos
chronologically,
allowing
readers
to
follow
changes
in
the
landscape
itself
during
and
after
the
siege.
Biographies
of
the
photographers
and
substantive
captions
also
brim
with
fresh
information
about
the
photographs
and
the
campaign.
Though
Port
Hudson
may
never
receive
the
level
of
attention
of
Gettysburg
or
Vicksburg,
this
well-conceived
collection
stands
as
testament
to
the
importance
of
that
conflict
and
of
the
Civil
War’s
photographic
record
itself.